At The Washington Post, Michael Dirda on the dissolute genius Thomas De Quincey (opium addict, original chronicler of addiction, master of the macabre, prolific C19th essayist).
An Opium Eater, Reconsidered
Print Magazine Goes Digital
The fall issue of Washington Square Review is now available online, featuring new work by Morgan Parker, Ron Padgett, Mariama Lockington, and interviews with Year in Reading alumnus Nick Flynn, Jenny Offill, Jericho Brown, and Henri Cole. Pair with this Millions profile of Flynn.
●
●
●
●
No More McNuggets
Back in 2011, our founder C. Max Magee pointed to the fan art of Chris Ayers, who was inspired by DFW’s Infinite Jest. Now, Ayers has a new series, drawn from Margaret Atwood’s MaddAdam trilogy, that illustrates the corporate horrors of the trilogy’s fictional dystopia. Pair with Vanessa Blakeslee on Atwood’s In Other Worlds.
Poetry Wounds
“Ocean Vuong is that rare architect of accommodation, giving the most precarious situations or embarrassing of grievances of our culture a sound environment in which they can thrive. As he kisses and tucks the parents in their beds, he sets out from the wreckage of his past towards a hard-won horizon of blunder and wonderment.” Jeff Nguyen reviews Vuong’s newest poetry collection, Night Sky With Exit Wounds.
●
●
Offshoots
Recommended Reading: Our own Elizabeth Minkel on Sherlock and fan fiction. You can also read another essay of hers on fan fiction here at The Millions.
To Paraphrase Potter Stewart
“The more you take, the more you have to give back — the better the work has to be.” The New York Times features Year in Reading alum Rivka Galchen in dialogue with Anna Holmes (“You can’t always prove appropriation, but you usually know it when you see it”) on the distinction between artistic license and cultural theft. Pair with our review of Galchen’s Little Labors.