At BOMB, Danielle Dutton speaks with me about her new press Dorothy, a publishing project, which just published two books you’ll want to add to your wish list, Renee Gladman‘s Event Factory and Barbara Comyns‘ Who Was Changed and Who Was Dead.
Two More for the Wish List
Tuesday New Release Day: Haddon, Walter, Lanchester, Tóibín, Ondaatje
New this week are Mark Haddon’s The Red House, Jess Walter’s Beautiful Ruins, John Lanchester’s Capital, and a collection of essays from Colm Tóibín, New Ways to Kill Your Mother: Writers and Their Families. Michael Ondaatje’s The Cat’s Table is now out in paperback.
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The Myth of Farmer
In an essay for The Morning News, Matt Evans takes a look at “how an unfinished autobiography and a 1980s biopic turned Frances Farmer, one of cinema’s most radiant stars, into a lobotomized zombie.”
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Well That Took Long Enough
“The broad expansion of digital journalism has led to a growing overlap in the work and roles of newspapers, digital-only news sites, and magazines.” The Pulitzer Prize Board announced yesterday that both print and online magazines will be eligible for the 2017 journalism prizes. This doesn’t make up for 2012, but it’s an improvement.
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Ottessa Moshfegh on Isolated Characters Growing Anywhere
Moshfegh discusses her 2018 book, My Year of Rest and Relaxation, and how it has taken on a life of its own during the pandemic.
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Kazuo Ishiguro on the Joys of Repetition
Kazuo Ishiguro discusses his newest book, Klara and the Sun, and how it echoes themes he has often explored in his previous work.
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