At BOMB, Danielle Dutton speaks with me about her new press Dorothy, a publishing project, which just published two books you’ll want to add to your wish list, Renee Gladman‘s Event Factory and Barbara Comyns‘ Who Was Changed and Who Was Dead.
Two More for the Wish List
The Ongoing Reconsideration of Dave Eggers
The Guardian offers a long, worthwhile profile of Dave Eggers, who suddenly is being considered and reconsidered seemingly everywhere. “The McSweeney’s empire… often gets characterised as a kind of cabal: a hip, young gang. [Eggers] and [wife Vendela] Vida, whose writerly circle includes Nick Hornby, Rick Moody, Jonathan Lethem and Joyce Carol Oates, tend to be seen as tastemakers. He thinks this is ridiculous.” (Thanks Emre!)
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Imagine All the Islands
“It suddenly went off: ‘Oh, fuck, I’m going to try it as a novel, aren’t I?’ A terrifying realization because John Lennon is such an iconic figure—and the feeling I get out around there, this kind of eeriness, this kind of strange haunted reverberation. I mean, the fuckin’ Atlantic is a really weird thing to grow up right beside.” Millions staff writer Bill Morris sat down with Kevin Barry to talk about his new book, Beatlebone, and about the trouble of getting John Lennon’s voice right on the page. Morris has brought you a bit on Barry in the past.
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Moldy Links
The book bloggers are all waiting for the announcement of the National Book Award winner, and I, too, have to wonder what will happen once we know the recipient of the award in the fiction category. These women have gotten a lot of grief from folks who think they shouldn’t be there. What I’m wondering is will the NY Times and all the rest end their crusade and graciously accept the winner, or will the winner, whoever she may be, have to bear more criticism on her own. We shall see. In the meantime I have dug up some old links that are, unlike all this NBA stuff, not very timely, but they are good, so I wanted to share them with you:First, take a look at Jonathan Yardley’s fantastic discussion of the American novels that are, to his mind, the best of the last 125 years. He calls it “State of the Art.”The discussion among my fellow book bloggers about the Paris Reviews magnificent decision to put all of their interviews online has got me thinking about the recently departed George Plimpton, which is why I was happy to find this wonderful interview that he conducted with Truman Capote about In Cold BloodFinally, there are two types of people in this world… well, not really, but in this post from earlier this year, Michael at 2Blowhards explains the difference between movie people and book people and a lively discussion follows.Well, that’s enough from the old bookmarks file. Expect more timely news sometime soon.
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On the Cover
Janet Hansen, designer for Alfred A. Knopf, explains her process in creating the cover for Steven Millhauser’s Voices in the Night. Look back on our comparisons of U.S. and U.K. book covers.
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If Shakespeare Was a Programmer
“While it’s easy to dismiss coding as rote exercise—a matter of following rules—it’s worth remembering that natural language is subject to rules of its own: grammar, syntax, spelling. The best writers test these rules, bend them, or break them outright, and in doing so they keep the language alive…. With that in mind, I wanted to apply the quirks and transgressions of the great authors to JavaScript, to see where that pushed the language.” Angus Croll imagines Shakespeare as a programmer in a piece for Quartz and in his book, If Hemingway Wrote JavaScript.
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Welles and Wells
Orson Welles and H.G. Wells talk to one another, and now you can listen thanks to the magic of YouTube. (via)
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