New this week: Paul Auster’s latest, Sunset Park; a new collection of short stories from Stephen King called Full Dark, No Stars; The Memory Hole, a memoir by the historian Tony Judt who recently died from ALS (the essays collected here appeared in recent months in the New York Review of Books); and the latest obligatory obfuscatory presidential memoir Decision Points.
Edinburgh’s latest whodunnit wasn’t written by Ian Rankin. The Scottish capital’s mysterious book sculptor has struck again. Last summer, she started anonymously leaving paper sculptures at literary locations around the city to promote free access to libraries, museums, and galleries. The latest artwork arrived at the Edinburgh Unesco City of Literature Trust and includes paper feather wings, a safety helmet, and goggles “to provide some protection throughout journey.”
New this week is Joshua Cohen’s Four New Messages, while John Banville (writing as Benjamin Black) is out with Vengeance. Also new on shelves: Aftermath, a memoir by Rachel Cusk; Peter Heller’s post-apocalyptic debut novel The Dog Stars; David Gillham’s novel of WWII Berlin, City of Women; and In the Shadow of the Banyan, Vaddey Ratner’s novel set in the Cambodia of the Khmer Rouge. Out in paperback are Adam Johnson’s The Orphan Master’s Son and Edie Meidav’s Lola, California.
Sergeant Ed Drew’s tintypes of the war in Afghanistan are the first tintypes made in a combat zone since The Civil War. Drew made them for his son. “I wanted him to know his father in the event that I was killed in action and it became less important that my work was done in tintype than that I could show the humanity of war in the eyes of airmen I fly combat missions with,” he said.
In what reads like someone’s answer to the “who would you invite to a literary dinner party” question, novelists Jeanette Winterson and Marlon James sat down for a fantastic conversation at a Miami hotel bar. James’s A Brief History of Seven Killings won the Man Booker prize earlier this year.