New this week: Paul Auster’s latest, Sunset Park; a new collection of short stories from Stephen King called Full Dark, No Stars; The Memory Hole, a memoir by the historian Tony Judt who recently died from ALS (the essays collected here appeared in recent months in the New York Review of Books); and the latest obligatory obfuscatory presidential memoir Decision Points.
“Let the buppie and the arts section go to hell: Swiss Army Man is a film by which critics ought to judge ourselves. We have seen this movie before, in our dreams, when we were children. Its extraordinary contact with our oldest forms of storytelling seems to have rendered it an unintelligible novelty, but if we can’t see how gracefully everything in it matters to everything else in it — plot to character development to dialogue to music to art direction to setting to acting to cinematography — then there’s something wrong with us.” Daniel Radcliffe stars as a semi-animate, gas-filled corpse with amnesia in Swiss Army Man — a movie about farts. But what else is it about?
Following the Irish release of The Guts, the new Roddy Doyle novel that brings back Jimmy Rabbitte from The Commitments, The Irish Times interviews Doyle, who remembers a time when his writing garnered him death threats. Sample quote: “I drove the guy in the next room demented as I replayed an old tape, repeating the same musical phrase, again and again.”
A publishing flap in three parts, with colons. 1: Publisher’s Weekly details unsettling allegations about Night Shade Books — an unwillingness to answer calls from writers or their agents, stolen digital rights, and missing royalty statements. 2: Night Shade issues an apology. 3: A wronged writer responds.