The latest effort from superstar translators Richard Pevear and Larissa Volokhonsky: Boris Pasternak’s Doctor Zhivago is now on shelves. P & V’s The Death of Ivan Ilyich and Other Stories is in our Hall of Fame, and we interviewed the couple last year. Also out: Mark Twain’s long-embargoed Autobiography is now shipping; V.S. Naipaul’s The Masque of Africa; X’ed Out by graphic novel master Charles Burns; Avi Steinburg’s literary memoir Running the Books: Adventures of an Accidental Prison Librarian; and the odd literary project that is James Franco has a new collection out, Palo Alto
From Letters of Note, the correspondence between Fitzgerald and his editor upon the former's completion of The Great Gatsby (including Fitzgerald's suggestion for an alternative title: Gold-hatted Gatsby). In response to the many endings of A Farewell to Arms, Slate cooks up 48 canned, alternative endings for Fitzgerald's masterpiece.
"I've never actually read the books that I've blurbed." - Nick Tosches in BookforumThat terrific Kenneth Tynan piece on Johnny Carson that Tingle was looking for.Want to bone up on philosophy, but can't quite find the time? Try Squashed Philosophers.The CS Monitor gives capsule reviews of the NBCC fiction finalists, in case you didn't get to any of them.O, Brother, Where Art Thou? Oh Right, Everywhere: Discarded titles for George Orwell's 1984 at McSweeney's (via Kottke).David Sedaris' recommended reading list
"I hope they also love that experience of surprise and delight and really engaging stories in the fiction sense, but also in the writers at work sense and in the poetic sense." A Vanity Fair interview with Emily Nemens, The Paris Review's new editor. And here's a list of 20 reasons you should absolutely be reading literary magazines.
"I thought there were would be more in this writing life, an easier path to walk. I write those words and know they are the unwise thoughts of my younger self and that I am still too stubborn to give up on my dreams. When Annie Dillard invited me outside for that smoke, she knew very well what it would mean to a young writer like me. She intuited my ambitions and it was her way of encouraging me." This essay is ostensibly about smoking cigarettes and playing catch with Annie Dillard, but it's also about the incredibly important role that an established writer can play in helping a struggling up-and-comer.
Last year we highlighted University of Nebraska Press among other small presses for the keeping in print otherwise little known future Nobel laureates. Today's honoree Mario Vargas Llosa is quite well-known by comparison, but University of Nebraska Press has nonetheless (barely) run its Nobel streak to three straight years by way of Vargas Llosa's inclusion in the press' soccer writing anthology, The Global Game: Writers on Soccer.
"Emily Brontë teaches us that fiction is not defined by what an author has done, but what an author has felt. To write is often to observe, not necessarily to experience. It is possible to be strong, independent, and still be at home; there is nothing limiting or weak about the 'domestic' life. Daily life is not to be avoided—in fact, it can be our most fruitful source of truth." These and other helpful life lessons from the Brontë sisters over at The Daily Beast. How did the sisters even get their start as writers, anyway?