The latest episode of WNYC’s Soundcheck features Jennifer Egan discussing her rock-inflected novel A Visit from the Goon Squad and Bookslut’s Michael Schaub talking up other “essential rock fiction.” (Thanks, Derek)
Over at Threepenny Review, Jess Row expounds on “blandness” in the work of Haruki Murakami, and particularly in his 2.8 lb. tome 1Q84—a book tabbed by Charles Baxter in last year’s Year in Reading as the best he’d read all year. Row contemplates the way Murakami’s characters and sentences “almost never lose this placid, observant neutrality,” or “continuous monotone.”
Colm Tóibín’s new collection The Empty Family is out today, as is comedian Patton Oswalt’s Zombie Spaceship Wasteland. New in paperback: 2010 fave The Imperfectionists. Many more new books to look forward to, of course, in our massive preview published this week.
Edith Pearlman has been writing stories for a long time, but it’s only recently that she’s received widespread attention for them, as evidenced by this New Yorker piece on the author by James Wood. In it, Wood writes about the ways in which Pearlman is “a fabulist in realist’s clothing,” among other things. Pair with: Josh Cook on Pearlman’s book Honeydew.