The latest episode of WNYC’s Soundcheck features Jennifer Egan discussing her rock-inflected novel A Visit from the Goon Squad and Bookslut’s Michael Schaub talking up other “essential rock fiction.” (Thanks, Derek)
Dominic Umile takes a look at the Daytripper, a comic by Brazilian brothers Fábio Moon and Gabriel Bá. The comic, which was selected recently for les Fauves d’Angoulême – the largest comics festival in Europe – concerns the “volley of riches and failure from the desk of an obituary writer.” As Umile notes, the art of obituary writing experienced quite a popularity surge in 2012. Times public editor Margaret Sullivan wrote about the regularity with which obituaries appeared on A1 in the paper, and the column even warranted the creation of its own dedicated Twitter account.
Here’s a fact that’s either very surprising or not surprising at all: Samuel Beckett didn’t want his letters to see the light of day. He once wrote to Barney Rosset that he didn’t care for “the ventilation of private documents.” Despite this disinclination, his third volume of letters comes out this week, and it includes, as detailed by John Banville in a review for The Irish Times, a letter in which Beckett asks that none of his plays be produced in Ireland. Pair with: our own Matt Seidel on Beckett’s “Echo’s Bones.”
“It’s rough out there for artists and writers right now, I know. There are days when you just want to throw in the towel, say fuck it, fake your own death, give insurance fraud a go, and live out of a Winnebago somewhere in remote Ontario. That’s a good plan—that’s a really good plan—but remember, you’ve got options.” The Paris Review considers the life of artist Reuben Kadish, who bought a disused dairy farm, made it a viable business in a decade’s time, and changed his medium from painting to sculpture in the process.
For those of us who refuse to trade in the typewriter, however, there’s always our popular piece on how to write a novel.