“So why should the stories about us always be about the bad stuff? We deserve the romantic comedy, the late night barfly scene, the silly, light-hearted stuff of life reflected back at us.” Camille Perri writes about the need for queer stories that are not rooted in sadness, trauma, or loss. Pair with: an essay on the commercial viability of LGTBQ literature.
“Officials in charge of an Australian writers festival were so upset with the address by their keynote speaker, the American novelist Lionel Shriver, that they censored her on the festival website and publicly disavowed her remarks.” Dang. (We agree, it was pretty bad – she wore a sombrero for most of her speech.) Writers’ conferences: They’re intense.
“Literary interviews became popular in the eighteen-eighties, but Richard Altick, the late professor of Victorian literature at Ohio State University, traces the public fascination with writers’ homes at least as far back as the eighteen-forties, when there was a vogue for books describing the houses and landscapes of famous authors, complete with engravings and, later, photographs.” On the strangeness of literary celebrity.