Jane Austen is a rare figure. Acclaimed as one of the most brilliant authors in modern history, she has a popularity that few of her peers can match, as evidenced by her posthumous sales and huge numbers of dedicated fans. How did her work hit the sweet spot of broad appeal and scholarly fame? In the WSJ, Alexander McCall Smith provides a theory. (h/t The Paris Review Daily)
A couple weeks ago, I wrote about the upcoming Lifetime adaptation of Flowers in the Attic, the novel that Slate writer Tammy Oler called “a rite of passage for teenage girls in the ‘80s.” Now, Willa Paskin reviews the new film, lamenting that it “acts as if it is just another life-affirming Lifetime movie about surviving terrible situations.”
This holiday season may set a record for gift returns, and perhaps that’s understandable given the economy. But what does it mean if you simply abandon your things instead? A recent survey by Virgin Atlantic reveals which books are most frequently left behind by their passengers, and it raises that very question.
New this week: The Year of the Runaways by Sunjeev Sahota; The Little Red Chairs by Edna O’Brien; Chicago by Brian Doyle; The Destroyer in the Glass by Noah Warren; Dothead by Amit Majmudar; Grateful Dead’s Workingman’s Dead by Millions contributor Buzz Poole; and New and Collected Poems: 1975-2015 by Jay Parini. For more on these and other new titles, go read our Great 2016 Book Preview.