In light of Howard Jacobson’s victory for The Finkler Question, Laura Miller at Salon explains why the Man Booker Prize is the best of the literary awards.
In Praise of the Booker
The Birth of Memory
“So a single image can split open the hard seed of the past, and soon memory pours forth from every direction, sprouting its vines and flowers up around you till the old garden’s taken shape in all its fragrant glory.” Read an excerpt from Mary Karr’s The Art of Memoir at Longreads. Pair with Beth Kephart’s essay on how memoir can be a conversation between reader and writer.
The Count
“And who could disagree? Joyce Carol Oates expressed her view on Twitter: ‘Wikipedia bias an accurate reflection of universal bias. All (male) writers are writers; a (woman) writer is a woman writer.'” Wikipedia has got a women writers problem.
Fate and Fiction
Recommended reading: Catherine Lacey writes for Granta about “The Question of Fate” and fiction writing.
Clear Thesis. Strong Analysis. Can’t Lose.
It’s unclear how this Tumblr managed to elude us for so long, but it’s certainly making up for lost time. Ladies and gentlemen, I give you, Academic Coach Taylor Has Some Advice For You.
Longstanding Controversy
Nowadays, Huck Finn is as a lightning rod for racial issues, which explains why so many schools have banned the book over the years. But in the late 18th century, when Mark Twain published it, the novel was more controversial as a critique of childhood in America. In the Times, Year in Reading alum Parul Sehgal reads Huck Finn’s America, a new book by Andrew Levy that sheds light on the context of the era. You could also read our founder C. Max Magee on reading Huck Finn as a child.
Nothing Has to Be Blown Up
“One of the joys of literature is that we can always push back against established ways of speaking and seeing—and nothing has to be blown up.” Mark Z. Danielewski, whose latest novel, the first installment of a 27-book series called The Familiar, has just been released, writes for The Atlantic‘s “By Heart” series about “signiconic” writing, the orneriness of his work and the graphic novel Here. Pair with our 2012 interview with Danielewski.