Andrew Ross Sorkin’s financial crisis post mortem Too Big to Fail is slated to get the Hollywood treatment. Curtis Hanson will direct the likes of Paul Giamatti as Ben Bernanke, James Woods as Dick Fuld, and Billy Crudup as Timothy Geithner. (Thanks, Derek)
Implicit in a lot of the discussions about how negative a book reviewer can be is a question of utility: is a book review an act of public service or a work of art in itself? In the Times, James Parker and Anna Holmes debate the purpose of the review. Sample quote: “I’d argue that a majority of the reading public doesn’t necessarily benefit from the sorts of reviews for which artistry is the point.” You could also read our own Matt Seidel’s hypothetical worst review ever.
Sam Sacks offers up a review of Booker winner The White Tiger by Aravind Adiga for Open Letters“Obama spotted carrying poetry book” – It was Collected Poems 1948-1984 by Derek WalcottThe amazing, exhaustive, 7-part, behind-the-scenes look at the 2008 campaign from NewsweekRahm, Ari, Zeke: Which Emmanuel brother are you?In case you weren’t already tired of this… the n+1 vs. the lit-blogs row of early 2007 lands in an academic journal. Our own contribution to the saga is duly noted.Wyatt Mason offers more thoughts on John Leonard (via Conversational Reading)Malcolm Gladwell’s latest, The Outliers, hits stores a week from today. Gladwell introduces the book in a video at Amazon (scroll down a bit).Oxford researchers figure out the ten most annoying phrases.And the New Oxford American Dictionary has named its Word of the Year: hypermiling.As we remember Michael Crichton, “The Top 5 ‘Crazy’ Michael Crichton Ideas That Actually Came True“Nam Le wins the Dylan Thomas Prize. We interviewed him in August.
What did we read in the Obama era? Christian Lorentzen has some answers. Apart from individual books like The Flamethrowers and The Art of Fielding, he comes up with some genres that have dominated the past eight years, including autofiction, works of trauma and fables of meritocracy. (You can probably guess where Leaving the Atocha Station ends up.)
There’s a tiff going on between Ursula le Guin and Kazuo Ishiguro. After le Guin accused Ishiguro of “despising” the fantasy genre, following an interview with the Times in which he wondered aloud if his readers would be prejudiced against his latest book, Ishiguro defended himself, claiming that he is “firmly on the side of the ogres and the pixies.” You can read a full rundown in The Guardian.
“It’s difficult to pinpoint exactly what makes a great artist creative” but The Atlantic makes a strong attempt and cites the story behind Mary Shelley‘s Frankenstein as an example of what can happen “when experience, openness, and the right neurology come together.”
New this week is The Tiger’s Wife, the hotly anticipated debut of Téa Obreht, the youngest of the New Yorker’s 20 Under 40 from last year. Also new in the fiction aisle is Carol Edgarian’s Three Stages of Amazement. David Brooks’s latest pop sociology effort The Social Animal is now out — this one, excerpted in the New Yorker — sets itself apart from similar tomes by illustrating its findings through a pair of fictional characters. Now out in paperback are National Book Award winner Lord of Misrule by Jaimy Gordon, Ian McEwan’s Solar, and Rebecca Skloot’s non-fiction blockbuster The Immortal Life of Henrietta Lacks.