At the Paris Review Daily, Art Spiegelman, author of Pulitzer Prize-winning graphic memoir Maus: A Survivor’s Tale, recalls the influence of pioneering graphic novelist Lynd Ward in his introduction to Ward’s Six Novels in Woodcuts.
“It’s interesting to me now how many lawyers I’ve published. There’s something about the retelling, the assembling of a logical arc, about planting the clues and so forth that is believable and compelling. There’s a similarity in the way your mind needs to work, too. The logical progression of the narrative, the planting clues, the revelations and also just imbuing it with the emotional truth of the moment. That’s what a fiction writer has to do.” An interview with editor and literary gatekeeper Lee Boudreaux.
“I saw it as a breath of fresh dark honest night air. I could live in my grief and be weird in my grief.” A.N. Devers writes about her love of Twin Peaks for Longreads, situating the show within her contemporary experiences of losing her grandparents and her girlhood.
Alice Munro announced her retirement from writing this week. “Perhaps, when you’re my age,” she told a National Post reporter, “you don’t wish to be alone as much as a writer has to be.” Previously the Canadian author announced her retirement in 2006, but that didn’t stop her from publishing two more books – including her latest story collection, Dear Life (Millions review). The uninitiated can get a primer on her entire oeuvre by checking out our comprehensive Beginner’s Guide to Alice Munro. See also: “Can Writers Retire? Let Us Count the Ways”