At the Paris Review Daily, Art Spiegelman, author of Pulitzer Prize-winning graphic memoir Maus: A Survivor’s Tale, recalls the influence of pioneering graphic novelist Lynd Ward in his introduction to Ward’s Six Novels in Woodcuts.
When somebody you’re talking to brings up a writer — say Richard Russo — that you haven’t read, but should have, you probably say you haven’t read them because you “just don’t where to start.” Unfortunately, the folks at Book Riot just published a book, Start Here, that might blow up your excuse.
We’ve recommended reading up on Jenny Zhang‘s Sour Heart before, this interview in Hazlitt is one of our favorites. “And maybe this is crude to talk about, it’s not even that I don’t want to write a memoir. Beyond that, do you understand how vulnerable it makes someone to call something nonfiction? Not just emotionally vulnerable but financially vulnerable, do you realize someone that makes $40,000 a year cannot be hit by a lawsuit by some angry ex who objected about a chapter about him? Some guy sees one line about him, missing thousands of lines not about him. That’s why celebrities are the ones who write memoirs.”
In 2002, the psychologist Daniel Kahneman, a Princeton professor and expert in judgement and decision-making, won the Nobel Prize in Economics for his research in behavioral studies. At the LARB, K.C. Cole ties his work to The Fate of Our Species, a new book by Fred Guterl.
More than ever, we need literature that gives Westerners a compelling entrée into—a way of better understanding—the lives of war-and-terrorism fraught regions. Over at Bloom, T.L. Khleif, recent recipient of a Rona Jaffe award, writes about Jamil Ahmad’s The Wandering Falcon, a collection that immerses readers in the tribal areas of Pakistan prior to the rise of the Taliban. Among other notable honors, Ahmad joins the pantheon of late-blooming male authors who would not have ever published were it not for the stubborn encouragement of their wives.
On Twitter, Room author Emma Donoghue breaks the news that Brie Larson will star in the film adaptation of her 2010 novel, and that the script will be written by Donoghue herself. (Related: our own Edan Lepucki reviewed the novel soon after it first published.)