At the Paris Review Daily, Art Spiegelman, author of Pulitzer Prize-winning graphic memoir Maus: A Survivor’s Tale, recalls the influence of pioneering graphic novelist Lynd Ward in his introduction to Ward’s Six Novels in Woodcuts.
“Reading Literary Twitter is to witness brief, terse glimpses into the writerly psyche, and how insecure and unsure and thin-skinned we tend to be. As writers, we want to be validated. We want to matter. The published stories and poems and essays, the books we sell, the magazines we edit: all this output, this paper expelled out to the world, the screens we invade with our narratives, it all matters to us. But does it matter to everyone else?” mensah demary writes about the good, the bad, and the slightly neurotic of being a writer on Twitter for Electric Literature.
What happens if your town’s reputation was made by an author who hated it? Sinclair Lewis grew up in Sauk Centre, Minnesota and scathingly satirized it in Main Street (our Modern Library Revue of it), but it’s the town’s only claim to fame nearly a century later. At The Morning News, Matt Ray Robison visits.
What if the Tour de France nearly ground to a halt due to fiction? Imagine the best bikers in the world reading themselves into injury. At The Morning News, our own Matt Seidel imagines the chaos, making clear what happens when professional athletes meet page-turners. You could also read Matt’s essay on Tim Krabbé’s book The Rider.