Phillip Roth talks to David L. Ulin at the Los Angeles Times about his latest novel Nemesis, aging as a writer, and how he begins each new novel: “I don’t know very much… I write my way into my knowledge. Then, if I’m lucky, I get a break.”
“One thing that could have made this story end differently is if the United States had a significant cultural policy. We have a trade policy – we protect industries we value – and we have an anti-trust policy designed to protect consumers. We have arts and humanities endowments that assist institutions. But our cultural policy is mostly to let culture fend for itself in the open market. It works great, but sometimes it doesn’t.” Salon looks at what Amazon, the Penguin-Random House merger, and the imposition of capitalism to culture might mean for literature at large.
The Daily Beast interviews Tom Wolfe, who argues that America, more than two decades after The Bonfire of the Vanities, is a place where people “cannot act as if they are part of a superior class.” (For context, you might want to look at our own Nick Moran’s review of his latest, Back to Blood.)
“And journalists, the ones who do it for a living, will continue to have their faith in the profession shaken, as they panic and let their own standards slip in order not to be embarrassed by Reddit at 2:43 in the morning. But unlike high-frequency traders, Internet entrepreneurs, and online vigilantes, journalists have a stake in those standards, which are the only reason for having professionals do the job.” Fast news, Twitter, and journalism in the digital age.
Well, that’s one way to get the youth involved in politics. According to this piece over at The Daily Beast, “Before Tinder, before shopping malls, drive-ins, or speak-easies, young people searched for a place to meet and flirt. In 19th century America, wild political rallies offered the perfect opportunity.”
An English student at the University of Texas has unearthed previously unpublished writing from Jupiter Hammon, the first published African-American poet. Some of Hammon’s work – which dates back to 1760 – can be found online courtesy of The Poetry Foundation: “A Poem for Children with Thoughts on Death” and “An Address to Miss Phillis Wheatley.”