Phillip Roth talks to David L. Ulin at the Los Angeles Times about his latest novel Nemesis, aging as a writer, and how he begins each new novel: “I don’t know very much… I write my way into my knowledge. Then, if I’m lucky, I get a break.”
Over at The New Yorker, Hilton Als writes about Beyoncé’s Lemonade, Prince, Cecil Taylor, Octavia Butler, and time travel. He writes, “Toward the end of the film, [Beyoncé] moves further back into the past and examines her roots, we see any number of sharply dressed women sitting in the natural world, talking among themselves. This will remind readers of that extraordinary scene in Beloved, when the elder commands those who have gathered in a clearing to love their hands, themselves—because if they don’t, who will?”
Last week, I mentioned Look Who’s Back by Timur Vermes, which caused a stir in Germany with its tale of a time-hopping Hitler. Now, Daniel Torday reviews the book for the Times, judging it both for its historical research and its merits as a work of fiction. Sample quote: “The German public’s acceptance of the artist they think they’re watching provides a critique of pop culture. But it feels like bringing the Luftwaffe to a knife fight.”
A somewhat startling headline: “Amelia Lester, 26 Year Old Former Fact Checker, is the New Managing Editor of The New Yorker.” Another interesting tidbit: The New Yorker has been exempt from meeting with the consultants who are currently scrutinizing the rest of Conde Nast’s titles.