Phillip Roth talks to David L. Ulin at the Los Angeles Times about his latest novel Nemesis, aging as a writer, and how he begins each new novel: “I don’t know very much… I write my way into my knowledge. Then, if I’m lucky, I get a break.”
New this week are Swamplandia! by Karen Russell, The Illumination by Kevin Brockmeier, Charles Jessold, Considered as a Murderer by Wesley Stace (the pen name of singer-songwriter John Wesley Harding), and buzzed about debut The Evolution of Bruno Littlemore by Benjamin Hale. On the nonfiction side is a new biography, Endgame: Bobby Fischer's Remarkable Rise and Fall. And new in paperback is Millions Hall of Famer The Big Short by Michael Lewis.
Over at The Atlantic, Terrence Rafferty claims that women are writing the best crime novels. “Their books are light on gunplay, heavy on emotional violence. Murder is de rigueur in the genre, so people die at the hands of others—lovers, neighbors, obsessive strangers—but the body counts tend to be on the low side,” he writes. Pair with this Millions piece on novels where women are true detectives.
“For me, authenticity of setting is a kind of sine qua non for the feeling that a scene has been correctly done. I become unnerved if I haven’t got a ground plan, don’t know where my characters are. It’s a matter of personal psychology, I guess. I’ve always collected notes on settings. Most, of course, I’ll never use.” At the Tin House blog, Tim Horvath talks shop with Norman Rush.