New releases this week: All Is Forgotten, Nothing Is Lost by Lan Samantha Chang, “a writing-school success story” according to the New York Times in its review, Obama’s Wars, the latest book by legendary reporter Bob Woodward, Listen to This, a collection of essays published by music critic Alex Ross during his 12-year career at The New Yorker, and (almost new) is David Grossman’s To the End of the Land, as reviewed by Rayyan Al-Shawaf for The Millions.
Tuesday New Release Day
A Few Chapters Short of a Novel
Do people enjoy writers like Pynchon and Nabokov in part because they’re so odd? A new paper suggests that we tend to like art when we believe its creator is eccentric. The Atlantic reads through a study that’s a bit of a strange one.
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Pamela or Plath?
I’m disappointed that I was only able to get 8/12 correct on the Guardian’s “Who’s the Poet: Pamela Anderson or Sylvia Plath” quiz, but I’m consoling myself with the fact that the 50% is the average.
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It’s Not TV. It’s F. Scott Fitzgerald.
Deadline reports that Hunger Games screenwriter Billy Ray has plans to adapt F. Scott Fitzgerald’s final, unfinished novel, The Love of the Last Tycoon, into a series for HBO.
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Young and Old
After Herzog came out, Saul Bellow began the slow transformation from young Bellow into old Bellow, from the critically adored but little-known writer to the Nobel Prize winner whose views were solicited on every topic. In The New Yorker, Louis Menand writes about a new biography of the author, which tackles his early career. Related: our own Emily St. John Mandel on Bellow’s novel The Bellarosa Connection.
New André 3000 on the way
The possibility of a new André 3000 solo album (even if it’s “no sure thing”) is liable to make this writer giddy. Fun Fact: In a print-only interview with Oxford American, National Book Award-winning author Jesmyn Ward nominated Three Stacks as “the most underrated Southern writer.” (And she’s a fan of his collaborations with Frank Ocean, too.) You shouldn’t have needed an endorsement, but if you did, then that should be good enough for you.
Breaking Point
One of the better reasons you should read this review of the new book Breakfast with Freud is this quote, in reference to a Lucian Freud painting: “Robert Hughes compared [Francis] Bacon’s face in it to ‘a hand grenade on the point of detonation.’”
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You’re Invited
We have discussed the gender gap in literature more than once. At McSweeney’s, you’re invited to an all-male, all-white literary panel. Sounds fun.
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Alison Bechdel on Howard Cruse’s Landmark Queer Graphic Novel
For the 25th anniversary of Howard Cruse's powerful graphic novel, Stuck Rubber Baby, Alison Bechdel reflects on his portrayal of his place in history.
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