Another big, literary title hits shelves today. Tom McCarthy turned heads with Remainder in 2007. Now he’s back with C. Posthumously published is Nobel Laureate Jose Saramago’s The Elephant’s Journey. Also newly released is Sara Gruen’s tale of bonobos and reality television: Ape House, William Gibson’s latest Zero History, and The Widower’s Tale by Julia Glass. Culture mavens will be intrigued by The Official Preppy Handbook reboot True Prep. And this week’s intriguing art book is Full Bleed: New York City Skateboard Photography. And in non-fiction, Bob Dylan In America by Sean Wilentz and Isabel Wilkerson’s The Warmth of Other Suns, so compellingly written up in last week’s New Yorker.
Tuesday New Release Day
“Maybe she’s building a tomb”
Tampa author Alissa Nutting has a short, strange, and untitled fiction piece up at Everyday Genius. It concerns a rapidly decomposing magazine editor who just won’t quit.
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Portland’s Mini Libraries
Portland neighborhoods are nurturing camaraderie with little red library boxes.
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A Feast for Your Eyes
As an appetizer, consider Rick Poyner’s take on the work of Pierre Faucheux, a book designer Richard Hollis called “the single most important figure in French graphic design after Cassandre.” For the main course, check out this incredible Book Cover Archive edited and maintained by Ben Pieratt and Eric Jacobsen. Finally, as dessert, nominate your favorite book designs from 2011 for Design Observer’s “50 Books/50 Covers” contest.
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Who Taught It Best
"He is a man who has written a lot about politics and knows something about expectation-setting — set the bar low, and it’ll be easy to top it." The Awl rounds up its review series of online Masterclasses with such esteemed personages as Aaron Sorkin, James Patterson, and Werner Herzog. See also: our own Sonya Chung's review of Sorkin's film The Social Network.
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TimeScapes
Even if Tom Lowe's forthcoming debut film TimeScapes consists solely of this production footage on loop, it'll still be jaw-droppingly beautiful.
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Who Keeps the Gatekeepers?
Are you embarrassed about your lack of literary inheritance? You're not alone. Here's a great piece by Annie Liontas at The New York Times on those first, lonely forays into the literary world: "But I see my experience as an immigrant into the world of letters as a blessing. Being an outsider is the origin of my imagination; it gives me the constant consciousness that my perspective is only one of many and that there are myriad ways of being in the world. It grants me the gift of being attuned to the voices in the room, as well as all of those shut out of it."