Ben Yagoda provides a step-by-step recount of the 1959 British obscenity case over Lady Chatterley’s Lover, and every noted literary name from Graham Greene to Evelyn Waugh to T. S. Eliot who weighed in: “The whole thing was very well stage-managed with a splendid cast.”
We are only a few days away from our annual 2010 Year in Reading series! Over the past couple of months, we’ve asked dozens of readers, writers, and thinkers to tell us about the best book they read all year. On December 1st, we’ll begin posting pieces from some of the biggest names in literature and publishing. Look for more announcements on the site and twitter over the next few weeks. While you wait, check out last year’s Year in Reading series to get in the spirit!
“While pressure from Amazon forced Borders out of business in 2011, indie bookstores staged an unexpected comeback. Between 2009 and 2015, the ABA reported a 35% growth in the number of independent booksellers, from 1,651 stores to 2,227.” Professor Ryan Raffaelli read this surprising statistic and decided to study what exactly independent bookstores were doing in order to reinvent themselves and thrive. He found it has to do with indies embracing the three Cs; community, curation and convening. The full report will be released in 2018 but you can glimpse a preview here. Three cheers for indies!
How do you know when you’re finished writing a novel? Electric Literature’s advice column, The Blunt Instrument, tackles the timeless questions of how to begin and when to end. If it’s endings you’re after, this piece from The Millions on writers and last lines will help give you some closure.
In August of 1911, Franz Kafka and his future literary executor Max Brod paid a visit to the Louvre to see the Mona Lisa. It was, all told, a weird time to make such a trip, because a week before the two arrived in Paris, crafty thieves abducted the famous painting. So why did they go if there wasn’t a painting to see? To look at the absence, of course. (h/t Arts and Letters Daily)
“Still, what he captured with genius was the ontological unease of a world in which the human and the abhuman, the real and the fake, blur together.” An essay in the Boston Review argues the importance of Philip K. Dick‘s literature— where the real and fake intersect and collide — and the world we live in today. From our archive: on the pleasures of Dick’s sometimes awful prose.