Even though the new Franzen doesn’t drop for another week, for many readers, today is the biggest book release day of the summer thanks to the publication of Mockingjay, the third installment of Suzanne Collins’ blockbuster Hunger Games trilogy. For those less inclined toward young adult fare, Kevin Guilfoile’s new novel The Thousand is now out, as is The Cross of Redemption, the “uncollected writings” of James Baldwin.
“I realize that, like most fantasies, reality is likely to be more complicated. For starters, literary communities—like most communities—have echelons. They have cliques; they have ghettos. You are the wrong age, work in the wrong genre, don’t know the right people, don’t teach at the same program … Anyone who thinks this isn’t true is someone squarely at the center of his or her chosen circle.” On peripherality and the uncertain nature of literary community.
“When author Kamila Shamsie challenged the book industry to publish only women in 2018 to help address a gender imbalance in literature, just one publisher took up the challenge.” And Other Stories, an English publisher who publish translations and English language books, has decided to only publish women writers in 2018, according to the BBC. Pair with: an essay by our own Marie Myung-Ok Lee about the visibility and privacy of women writers.
It was probably inevitable that Rap Genius would spawn Poetry Genius, but it was not so inevitable that Junot Díaz would make an appearance on the latter. On Saturday, Díaz annotated a number of passages from his own The Brief Wondrous Life of Oscar Wao, including a footnote where he says he went “buckwild.”
The New York Public Library has bought psychedelic guru Timothy Leary’s papers. The 335 boxes contain journals, videotapes, photographs and thousands of letters from avid trippers, including Allen Ginsberg, Aldous Huxley, William S. Burroughs, Jack Kerouac, Ken Kesey and, yes, Cary Grant.
In 2010, the poet Tarfia Faizullah traveled to Bangladesh to speak with the survivors of the 1971 Liberation War. Eventually, she wrote a poetry collection about those interviews, which went on to win the Crab Orchard Series First Book Award. At The Paris Review Daily, Sean Carman interviews Faizullah.