“The company, in its most cutting-edge incarnation, has become the arena in which narratives and fictions, metaphors and metonymies and symbol networks at their most dynamic and incisive are being generated, worked through and transformed… It is funky architecture firms, digital media companies and brand consultancies that have assumed the mantle of the cultural avant garde. It is they who, now, seem to be performing writers’ essential task of working through the fragmentations of old orders of experience and representation, and coming up with radical new forms to chart and manage new, emergent ones. If there is an individual alive in 2015 with the genius and vision of James Joyce, they’re probably working for Google.” From The Guardian, a look at “fiction in the age of data saturation,” with a healthy dose of anthropology thrown in just for fun.
Last week, I pointed readers to a speech by the late James Salter, reprinted by The Paris Review Daily in tribute to the writer after his death. For a fan appreciation, you can read Kevin Lincoln in Hazlitt, who leads his piece with the observation that Salter “wrote sentences you could unfold into paper lanterns.” Pair with our own Sonya Chung’s review of Salter’s All That Is.
Over at the Observer, Brent Underwood writes on how he self-published a fake book on Amazon. He sold a total of three copies, enough for him to earn the #1 Best Seller badge in several categories. Now his fake book has landed an actual book deal and is available in paperback.
One Romanian woman may have committed “a barbarian crime against humanity” by incinerating a collection of seven famous paintings – including Picasso’s “Harlequin Head,” Monet’s “Waterloo Bridge, London,” and Gauguin’s “Girl in Front of Open Window.” Her excuse? It was in order to protect her son – a skilled art thief – from prosecution.
This past week GOOD laid off most of their editorial staff, including former Executive Editor and creator of the #realtalk From Your Editor tumblog Ann Friedman. Posting some extra #realtalk on her blog yesterday, Friedman announced that the band of former GOOD editors are looking for work and also launching their own magazine: Tomorrow.