Out this week: Per Petterson’s latest to hit American shores is I Curse the River of Time. Also newly released is Mona Simpson’s My Hollywood. Mary Roach has another work of quirky non-fiction out, Packing for Mars: The Curious Science of Life in the Void. Young readers can now get their hands on the seventh book in the Artemis Fowl series, The Atlantis Complex. And grammar mavens have a new edition of the Chicago Manual of Style to add to their reference shelf.
This month, a Brentwood School archivist unearthed a two-page poem entitled “A Dissertation on the task of writing a poem on a candle and an account of some of the difficulties thereto pertaining.” The kicker? It was written by a 17-year-old Douglas Adams, nine years before he published The Hitchhiker’s Guide to the Galaxy.
“According to an interview with her publishers in the Italian literary newsletter Il Libraio, translated in The Guardian, Ferrante is putting pen to paper once more.” A year after Elena Ferrante‘s alleged true identity was revealed by a journalist, the intensely-private author is writing again but has no plans to publish a novel in 2018. Pair with: staff writer Marie Myung-Ok Lee‘s essay on Ferrante, privacy, and woman writers.
Last week, I wrote about the disparity between Norman Rockwell’s inner life and the cheerful art that made the painter famous. In the new issue of The Atlantic, James Parker writes about the “unconscious energy” of Rockwell’s work, while on the magazine’s website, Jennie Rothenberg Gritz republishes an old article that examines how Rockwell’s style could seem outdated even in the fifties.
Visual Editions wants to send photographer Jacob Robinson to La Mancha… by way of camper van. Along the way, he’ll be tasked with “captur[ing] the spirit of Don Quixote” on film and combining his shots with text from Miguel de Cervantes’s novel in order to create a re-imagined, “faithful and contemporary” edition. You can find out more on the effort’s Kickstarter page.
It’s a bumper crop of new books this week: Hari Kunzru’s Gods Without Men, Kathryn Harrison’s Enchantements, László Krasznahorkai’s Satantango (reviewed here), and Adam Levin’s Hot Pink. Also out this week are Alain de Botton’s Religion for Athiests and Jonathan Safran Foer and Nathan Englander’s New American Haggadah.
The thing about Dave Chappelle, writes Rachel Kaadzi Ghansah in her marvelous essay on the comedian’s family history, the success of Chappelle’s Show, and how the two informed his opinions on race, “is that he was suddenly vaulted into the awkward position of being the world’s most famous interlocutor in a conversation about race—the one conversation no one likes having.” In light of his recent heckling in Connecticut, as well as the continued misinterpretation of his comedy, “it’s easy to understand why Chappelle was done with being misread, tired of explaining, [and so he] finished talking.”
“If we are looking for a single category to explain why women are better represented among best-selling authors today, the Literary/None category is our best candidate. Most best-selling books fall into this category, and its change over time closely matches the overall gender ratio, shifting from extreme bias in the 1980s to close to parity in the 2000s.” Rosie Cima has put together a beautifully thorough and thoughtful analysis of gender, best-seller lists, and publishing for The Pudding. For a more exegetical analysis, consider our own Sonya Chung‘s exploration of writing across gender lines.