At Salon, Daniel Roberts profiles Tao Lin, the next big thing in urban hipster lit. According to the skinny jeans-clad hipsters reading his books on the L train, at least. Says one: “That guy is the next big thing.”
Out this week: The Immortal Evening by Stanley Plumly; Last Winter We Parted by Fuminori Nakamura; Bathing the Lion by Jonathan Carroll; Sometimes the Wolf by Urban Waite; Splitting an Order by the former Poet Laureate Ted Kooser; Limonov by Emmanuel Carrère; and The Heart Is Strange by John Berryman, which I wrote about as part of our Great Second-half 2014 Book Preview.
“People who shun new technologies will be viewed as passive-aggressive control freaks trying to rope people into their world, much like vegetarian teenage girls in the early 1980s.” Novelist Douglas Coupland (who popularized the term “Generation X”) previews his lecture “A radical pessimist’s guide to the next ten years” in the Globe and Mail.
“In my adolescence people spoke of ‘café intellectuals,’ not with the respect due to a sect that transmits ideas within the cramped space of a table but with the contempt reserved for those who turn their backs on reality and take refuge in vain speculation.” Juan Villoro on the writing life in Mexico City’s cafés as part of the “Writing Life Around the World” series for Electric Literature.
“Yes, they believed I was a dangerous person, unpredictable, and I observed that I really scared them. Sometimes I noted that the guards looked at me as judges. Their look translated to me as ‘gorilla, stay in your cage!’ When soldiers were off-duty, they came to gawk at me with a sense of wonder. Sometime they would throw me a piece of meat or something sweet, just like to an animal. The old EZ: an exciting and fascinating sight.” Ezra Pound reflects on his time in an Italian prison.
The new issue of The Enemy is out, and it’s got some goodies which may be of interest to Millions readers. Among them are two new poems by Ruth Ellen Kocher, who won the 2014 PEN Open Book prize; an appraisal of the value of bad art by sociologist Alison Gerber; and a reassessment of the MFA by Beckett Flannery.