In honor of the upcoming film adaptation of Kazuo Ishiguro’s Never Let Me Go, n+1 posts Marco Roth’s compelling review of Ishiguro’s novel and Michel Houellebecq’s The Possibility of an Island online for the first time.
At The Morning News, a wide-ranging conversation with the writer Philip Graham, most recently the author of The Moon, Come to Earth: Dispatches from Lisbon. Included is his account of getting a story into the New Yorker off the slush pile, and a footnote touting The Millions and other online literary venues as places to find great book recommendations.
“He had never slept in a better bed, Rainsford decided later, lying in his bed, after they had played several rounds of various games, and didn’t hunt one another at all.” You probably encountered Richard Connell’s The Most Dangerous Game at some point during your educational career — you definitely never came across this “comforting and anodyne” version, though.
The Guardian published a couple of fun pieces earlier this week. The first is a hilarious excerpt from Mallory Ortberg’s Texts from Jane Eyre: And Other Conversations with Your Favorite Literary Characters. The second is a collection of the top ten most memorable meals in all of literature.
College football season is upon us, and I’d be remiss not to highlight the recent flood of fantastic writing on my favorite televised sport. Most striking is Pulitzer Prize-winner Taylor Branch‘s Atlantic article “The Shame of College Sports.” It’s accompanied by several other takes on the issue. In regards to academia, this New York Times piece on the University of Chicago’s football team demonstrates that tension between educators and football fans is nothing new. (A sentiment the paper illustrated in a 2006 piece on Ivy League football.) However, as Gregg Easterbrook notes, major football programs can also demonstrate success in the classroom as well. Finally, and on a purely emotional level, I will always seize any opportunity to share this fantastic ESPN story by Eric Adelson.
“Listen to what makes your hair stand on end, your heart melt, and your eyes go wide, what stops you in your tracks and makes you want to live, wherever it comes from, and hope that your writing can do all those things for other people. Write for other people, but don’t listen to them too much.” Being a writer is really hard. Fortunately, Very Good Writer Rebecca Solnit is here with ten tips on how to be a better one.
“What did Shakespeare’s English sound like to Shakespeare?” A father and son team are working to answer this question, recover Shakespeare’s original pronunciation and perform his plays in the new-old style, and lest this sound like a silly exercise in scholarship consider that “two-thirds of Shakespeare’s sonnets…. have rhymes that only work in [Old Pronunciation].”