And the Heart Says Whatever author Emily Gould has been combining two of our favorite things, books and food in an online cooking show called “Cooking the Books.” Past episodes have included Sam Lipsyte (cooking pork buns) and Joanna Smith Rakoff (cooking brunch).
The brand new Library of Birmingham opens next week, and the gigantic structure is said to be “Europe’s largest public library.” In addition to its modern architecture, the facility also offers “a room from the 19th Century … to house one of the UK’s most important Shakespeare collections.”
The Asian American Literary Review is releasing their Special Issue Commemorating the 10th Anniversary of September 11 with a launch party this Friday at 7pm in downtown New York at Alwan for the Arts. The 350-page(!) issue has interviews, essays, and first person testimony on 9/11 by South/Asian and Arab American contributors — including Kazim Ali, Amitava Kumar, and Khin Mai Aung from AALDEF (the Asian American Legal Defense and Education Fund) — several of whom should be at the launch.
There are all kinds of arguments for reading the canon (Italo Calvino‘s come to mind) but why should we spend time reading untested contemporary authors? Tim Parks tackles this question, with a little help from Virginia Woolf, for The New York Review of Book‘s blog, and his argument pairs well with Guy Patrick Cunningham‘s Millions essay on reading the classics.
How to Sell author Clancy Martin, drawing on his previous career as a jeweler, kicks off a three-parter at the Paris Review blog about how a potential jewelry deal took him to New Orleans and he ended up out on the street, wearing a bath towel and a blazer.
Jane Campion‘s Bright Star was released in theaters today. Read the New York Times‘ favorable review and watch a clip of Campion’s take on the romance between Romantic poet John Keats (Ben Whishaw) and Fanny Brawne (Abbie Cornish). According to papers on both coasts, it is Cornish who shines brightest: the NYT applauds her “mesmerizing vitality and heart-stopping grace.” You may recognize Whishaw as the demented/gifted perfumier Jean-Baptiste Grenouille from Tom Tykwer‘s adaptation of Patrick Suskind‘s 2001 novel Perfume: The Story of a Murder.