Did you think the title of the most recent book you read could’ve been improved if it had been a bit more straightforward? Then Better Book Titles is for you. Among their more inspired retitlings: The Amazing Adventures of Kavalier and Clay (Gay Jewish Magicians Kill Nazis), Blink (Everyone is Racist), and The Girl with the Dragon Tattoo (The First Book I’ve Read in Six Years).
Robert Krulwich takes on two very different types of “nothing.” As he illustrates through the invocation of Willem de Kooning, Robert Rauschenberg, and outer space, “nothing” is a lot more complicated than you might initially believe.
There are many flavors of noir, but the one that may be the most relevant to our lives today, Julia Ingalls argues, is corporate noir, which often takes the form of science fiction. At the LARB, she writes about several examples of the genre, including Alan Glynn’s Graveland and Natsuo Kirino’s Out.
“What a horrible silent noisy people they are … My feeling toward those mice is flat-out fear. It has to do with the unexpected, unbidden, unavoidable, virtually silent, persistent, ulteriorly motivated appearance of these animals.” It looks like Franz Kafka really didn’t like mice. Reiner Stach, author of the definitive two-part biography of Kafka (The Decisive Years and The Years of Insight) has released a new book of Kafka ephemera called Is That Kafka? 99 Finds full of fascinating facts that never found a place in the biographies at large. This Millions review of Stach’s biographies might also suit your Kafka fancy.
“Marx the anti-Communist is an unfamiliar figure; but there were undoubtedly times when he shared the view of the liberals of his day and later, in which communism (assuming anything like it could be achieved) would be detrimental to human progress.” Wait, what? The New York Review of Books reviews Karl Marx: A Nineteenth-Century Life.
Sherlock star Benedict Cumberbatch performed a haunting interpretation of “Ode to a Nightingale” by John Keats, and the actor has also recently signed on to play Hamlet on the London stage in autumn 2014. This raises the question: is Cumberbatch the British James Franco?