This Tuesday’s notable new releases include Ayelet Waldeman’s Red Hook Road, Laurence Gonzales’ Lucy and Tana French’s Faithful Place.
Tuesday New Release Day
The Unrealist Novel
Lev Grossman offers some first thoughts on Every Love Story is a Ghost Story, the David Foster Wallace biography written by D.T. Max due out in September. More interestingly, Grossman wonders whether we’re nearing the death of hysterical realism, that manic, maximalist genre James Wood defined in his review of Zadie Smith’s White Teeth.
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Financing Cloud Atlas
The multinational production of the (Millions favorite) Cloud Atlas movie, “in all its glorious confusion, also serves as a guidepost to the future of the film business.”
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Tuesday New Release Day: Gaiman; Baxter; Morris; Hannah; Swanson; Cooper; Handler; Boyne; Duchovny; Link
Out this week: Trigger Warning by Neil Gaiman; There’s Something I Want You to Do by Charles Baxter; Bon Appétempt by Amelia Morris; The Nightingale by Kristin Hannah; The Kind Worth Killing by Peter Swanson; The Marauders by Tom Cooper; We Are Pirates by Daniel Handler; A History of Loneliness by John Boyne; Holy Cow by The X-Files star David Duchovny; and Get in Trouble by Kelly Link. For more on these and other new titles, check out our Great 2015 Book Preview.
Little Prince, Lots of Translation
This month, Antoine de Saint-Exupéry’s iconic children’s book Le Petit Prince will be translated into Hassanya, a rural Arabic dialect spoken in portions of Mauritania, Morocco, Algeria, Senegal, and Mali. This marks the 300th translation of the book.
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The Art of Not
Seeing as yesterday was Donald Barthelme’s birthday, it’s as good a time as any to remember the short fiction icon. At Brain Pickings, Maria Popova reads Barthelme’s essay “Not-Knowing,” which you can find in the author’s collection of essays and interviews. Sample quote: “Art is not difficult because it wishes to be difficult, but because it wishes to be art.”
Uncertain Origin
The Wall Street Journal has shared an exclusive look at the cover art for, and an excerpt from, Elena Ferrante’s new book. Also check out Cora Currier’s essay on reading Italy through Ferrante’s books.“
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