This Tuesday’s notable new releases include Ayelet Waldeman’s Red Hook Road, Laurence Gonzales’ Lucy and Tana French’s Faithful Place.
Tuesday New Release Day
Appearing Elsewhere
Fence has a new web site. And a new fall issue! My story “The Art of Forgetting” appears online, alongside new work by Ariana Reines, Mary Jo Bang, and Thomas Israel Hopkins.
Angela Merkel Vs. Google Books
On the eve of the Frankfurt Book Fair, German Chancellor Angela Merkel took the opportunity to express her concern that Google Books threatens the rights of authors and potentially violates copyright laws, BusinessWeek reports.
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A Moveable Photo
What do you get if you combine Man Ray with some of the most celebrated artistic figures of 1920’s Paris such as Ernest Hemingway, Lee Miller, and Marcel Duchamp? The answer is: some predictably fantastic portraits. For more on Man Ray, here’s a moving essay on how his Hollywood Album redefined Liska Jacobs’ idea of a “life’s work.”
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Cultural Capital
“Too often, being on the left tasks you with a vigilant daily quest to avoid being tagged with snobbery. In sociological living, we place value on those works or groups that seem most likely to force a reevaluation of an exclusive or oppressive order, or an order felt to be oppressive simply because exclusive. And yet despite this perpetual reevaluation of all values, the underlying social order seems unchanged; the sense of it all being a game not only persists, but hardens.” From n + 1, the latest “Intellectual Situation”: “Too Much Sociology.”
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Finnegans Wake Hits Chinese Shelves
I don’t know how they managed to translate the thunderwords into Chinese, but if sales figures indicate success, they did a bang up job. Finnegans Wake is huge in China right now.
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How Do You Raise a Bookworm?
Joe Pinkser takes a closer look at how a love of reading is fostered from a young age.
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Lost English Letters
I suppose that “Now I know my thorn, wynn, yoghs…” just doesn’t have the same ring to it, after all.
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A Time of Scarcity
“I realized that there was something wrong with an arrangement whereby a relatively affluent person such as I had become could afford to write about minimum wage jobs, squirrels as an urban food source or the penalties for sleeping in parks, while the people who were actually experiencing these sorts of things, or were in danger of experiencing them, could not.” Barbara Ehrenreich on writing about poverty.
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