Part 10: Space Hygiene: “Unfortunately, removing the helmet created a situation where the body odors were forced out of the neck of the pressure suit…” Check out this funny and artful trailer for Packing for Mars by Mary Roach.
Sherlock Holmes has solved his greatest mystery yet. It only took 125 years, but Arthur Conan Doyle's famous detective is in the public domain. A federal judge has ruled that all Sherlock Holmes stories published before January 1, 1923 are no longer under U.S. copyright law.
Even those who detest the sport can feel the joys of reading Roger Angell’s baseball writing. Case in point: his latest dispatch, in which he remarks on a recent triple play by saying, “What’s great about [triple plays] isn’t really their scarcity but the fact that they beautifully illustrate the invisible force that hovers about each pitch and play and inning and game in this pausing, staccato, and inexorably accruing pastime: the laws of chance.”
Clare Beams reflects on her impressions of Little Women as a child and an adult at Ploughshares. A piece of her essay: “Of course, none of the real Alcott sisters could have fit into the spaces Little Women carved out for them. No real person could…. Real-life girls are messes of contradiction.” You could also read Deena Drewis’s essay on the perception of women’s writing and gender bias in publishing.
There's just something about David Foster Wallace's writing that makes people want to adapt it. We've written about this phenomenon before - there have been Infinite Jest-inspired radio tributes and music videos, series of illustrations, even a novel-in-legos. Interest in adapting Wallace's work doesn't seem to be slowing, and earlier this month Public Theatre put on an experimental performance of passages of his writing and interviews, A (Radically Condensed and Expanded) Supposedly Fun Thing I'll Never Do Again, which both Salon and Hyperallergic reviewed.
Gossip is often seen as inherently frivolous and trashy, which is why it’s odd that a poet would use it as the subject of his or her work. On The Poetry Foundation’s blog, Austin Allen writes about George Green’s collection Lord Byron’s Foot, in which, as Allen puts it, “the dish spares no one.” (h/t Arts and Letters Daily)