Tea with beetles, chess and lemonade with butterflies, laundry day with a praying mantis–it’s the stuff of children’s books and the dioramas of San Francisco artist Lisa Wood, now on display at The Gold Bug in Pasadena, CA.
This Bug’s Life
Concealing Horrors
“According to David Means and his debut novel, Hystopia, [classic war novels] aren’t simply about confronting the horrors of war, but also about concealing them, hiding them under a layer of rationalizations and wishful thinking that often simplifies their lawless anarchy and finds sense, meaning and purpose where there’s little.” Over at Electric Lit, Simon Chandler reviews David Means’s Hystopia.
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The Discreet Charm of the Bourgeoisie
“‘What I want,’ a young Luis Buñuel announced to the audience at an early screening of his first film, Un Chien Andalou (1929), ‘is for you not to like the film … I’d be sorry if it pleased you.’ The film’s opening scene, which culminates in a close-up of a straight-edge razor being drawn through a woman’s eyeball, is often taken as the epitome of cinema’s potential to do violence to its audience…Horror movies frighten us; violent thrillers agitate us; sentimental stories make us cry. Suffering is often part of our enjoyment. Within limits, however: we are not to be so displeased that we are not pleased. Buñuel deliberately went beyond the limits of permissible displeasure. And so, in his own way, does the Austrian filmmaker Michael Haneke.”
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Ponyboy Breaks Into Song
A musical adaptation of S.E. Hinton's The Outsiders is scheduled to debut in Chicago this summer, directed by Liesl Tommy and written by Adam Rapp.
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Suitor by Suitor
At Salon, Bird by Bird author Anne Lamott recounts her year in the online dating world, a year which she says was complicated by the fact that “91 percent of men snore loudly.”
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Fleshing Out “The Man”
Luke Epplin examines the life and legacy of Stan “The Man” Musial, who died last week. In particular Epplin takes issue with how well-intentioned biographers have, over the years, “effectively turned Musial into a cardboard cutout, a bygone era’s one-dimensional paragon of constancy, stability, community fealty, and humility, devoid of the temperamental shadings that humanize public figures.”
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Indie Bound
Naysayers, consider this: in the digital era, the brick-and-mortar bookstore might be experiencing a resurgence.