"My mind moves toward apocalypse fictions the way we think about a forgotten friend, or a partner that’s left us—grief becomes its own comfort." Adnan Khan writes for Hazlitt about how apocalypse fictions mirror the immigrant experience and vice versa.
Cutting out large chunks of a book is pretty common, but cutting out 200 pages is a little unusual. While working on his latest novel, Joshua Ferris decided to abandon the elements drawn from crime fiction, which meant he had to toss out a huge portion of his draft. “Now that was a fun day,” he says.