The Times Literary Supplement profiles Darkness at Noon author Arthur Koestler as an iconic “Dangerous Intellectual”: “‘My analysis … is: one third genius, one third blackguard and one third lunatic …’”
One of the surprises of last week’s James Beard Awards was the runaway success of McSweeney’s offshoot Lucky Peach, which ended up taking home five out of seventeen awards. On John Birdsall’s Tumblr, you can read one of the winning essays, which bears the attention-grabbing title of “America, Your Food Is So Gay.” (Related: Jessica Ferri on food writing.)
If the description “a comic thriller about mermaids, the natural world and ruthless capitalism” isn’t enough to pique your interest, you might be inspired to pick up Lydia Millet's latest by the title of Laura Miller’s review, which describes Millet as “the P.G. Wodehouse of environmental writing.” At Salon, the book critic goes into the many reasons she enjoys Millet’s work, among them the author's knack for deploying humor at appropriate times. FYI, Millet wrote an article for The Millions recently.
If you’ve been on the Internet in the past week, you’ve probably heard about Beyoncé’s incredible new record, Lemonade. Noah Friedman at Wordshop 101 explains why Lemonade is great press for poets (particularly Warsan Shire, who is featured in the film). Andrew Kay writes on how reading poetry aloud connects us with the dead.
"Are things getting worse for women in publishing?" The Guardian asks, and while the article focuses on the UK, it also touches on the state of affairs in the U.S. What both situations share is a lack of female representation at the executive level, based partly on "a generation of women retiring and the amalgamation of publishing houses, which has left fewer c-circle jobs to compete for." Oh, and sexism.
In an in-depth interview for Nomadic Press, Shira Erlichman describes what it's like to make art while living with mental illness. As she puts it, “The thing that is so strange to me is that it was so wide-lensed. Everyone thinks, ‘Oh, you go crazy, like in the movies. You’re just suddenly crazy.’ But there was such a domino effect. One little thing—it’s almost like 70 dominoes lined up in one track that all lead to one conclusion.” Pair with Gila Lyons’s Millions essay on writing through illness.
The New Inquiry's updated site launched over the weekend, and it's currently undergoing a live beta test. They've also just unveiled a bumper crop of new bloggers. One of the site's interesting features is that all of its content is available for sharing and remixing under a creative commons license.