We’re surprised McSweeney’s didn’t think of this sooner: A handsome large-format volume called Art of McSweeney’s; Chris Ware and many more. There’s also a debut that’s been getting some notice, Mr. Peanut by Adam Ross. And finally, sometime Millions interviewee and interviewer Nic Brown has a new novel out: Doubles.
New this week: The Leftovers by Tom Perotta, Train Dreams by Denis Johnson, The Cut by George Pelecanos, Justin Torres's debut We the Animals, and Just My Type: A Book About Fonts. And new in paperback is Millions Hall of Famer Skippy Dies by Paul Murray.
Out this week: Avenue of Mysteries by John Irving; Twain & Stanley Enter Paradise by Oscar Hijuelos; Numero Zero by Umberto Eco; The Improbability of Love by Hannah Rothschild; Wherever There Is Light by Peter Golden; City of Clowns by Daniel Alarcón; and The Mare by Mary Gaitskill (who we interviewed today). For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
When most baseball players retire, they manage other teams, but Derek Jeter will manage a publishing imprint. The shortstop will open a publishing company, Jeter Publishing, in a partnership with Simon & Schuster. He expects to publish middle-grade fiction, children's picture books, adult nonfiction, and books for children learning how to read. The first title should hit shelves in 2014. Maybe this could have been a good backup career for The Art of Fielding's Henry Skrimshander.
"The specter of the confessional haunts all first-person writing, and women’s writing in particular," but perhaps "the instinct to insert [the self] comes from a place of saying, 'I’m not an expert, I’m just a person; let me show you where I’m situated here in this thing I’m telling you about.'" Our own Lydia Kiesling writes about Meghan Daum, Lena Dunham, Leslie Jamison and the confessional impulse in nonfiction for Salon.
In a move that will likely become more and more common, The Weinstein Company has inked a deal with Netflix to license some of its latest (and most critically acclaimed) films to Instant Watch instead of traditional cable outlets. Coriolanus, Undefeated, and The Artist will be among the first titles released. Elsewhere, Vanity Fair profiles Netflix's "bloody but only slightly bowed" CEO, Reed Hastings.