The big, blockbuster book this week is the final installment in the late Stieg Larsson’s trilogy, The Girl Who Kicked the Hornet’s Nest. Those just catching on to the Larsson phenomenon can also now get the complete set. Moving on to quirkier fare, there’s The Hour: A Cocktail Manifesto, a reprint of a 1950s treatise on drinking with a new introduction by Daniel Handler (aka Lemony Snicket). And finally, Library of America is putting out a volume of novels and stories by master of gothic fiction, Shirley Jackson.
Brian Nitz wants environmentalists and writers to seriously consider whether the word “sustainable” is, well, sustainable. (Related: this XKCD comic)
Say you’re the kind of person who never ends a sentence with a preposition. You’re studious about distinguishing between “its” and “it’s,” and you’re likely to judge a person who says “nauseous” when they should have said “nauseated.” But occasionally, if you’re being honest with yourself, you suspect that a lot of the grammar rules you follow are conditional or even arbitrary. Herewith, Steven Pinker offers ten rules you should break from time to time. (Related: Fiona Maazel wrote an essay for The Millions on good grammar.)
If you were like this writer when you were growing up, you knew — nay, believed — that Sonic the Hedgehog was better than Mario, full stop. At The Verge, Trent Volbe explains the Blue Blur’s greatness, including a sample from the Green Hill Zone soundtrack to illustrate the games’ sick bass grooves.
If news of László Krasznahorkai winning his second straight Best Translated Book Award for his recent novella, Seiobo There Below, got you interested in reading the Hungarian author’s works, then look no further. Scott Esposito offers a handy road map entitled “Krasznahorkai: A Guide for the Perplexed and Fascinated.”