The big, blockbuster book this week is the final installment in the late Stieg Larsson’s trilogy, The Girl Who Kicked the Hornet’s Nest. Those just catching on to the Larsson phenomenon can also now get the complete set. Moving on to quirkier fare, there’s The Hour: A Cocktail Manifesto, a reprint of a 1950s treatise on drinking with a new introduction by Daniel Handler (aka Lemony Snicket). And finally, Library of America is putting out a volume of novels and stories by master of gothic fiction, Shirley Jackson.
It was probably inevitable that Rap Genius would spawn Poetry Genius, but it was not so inevitable that Junot Díaz would make an appearance on the latter. On Saturday, Díaz annotated a number of passages from his own The Brief Wondrous Life of Oscar Wao, including a footnote where he says he went “buckwild.”
The term “academic writing” is controversial, not least because it implies that academics have an odd and persnickety way of writing. In a blog post for The New Yorker, Joshua Rothman examines the genre, looking back on his time in grad school to argue that academic writing is a “fraught and mysterious thing.”
We’ve already decided that it’s okay for fictional characters to be unlikable, but what about nonfiction writers? At the VQR blog, Jennifer Niesslein interviews essayists on whether their success is based on how amiable they are. “I think it’s ridiculous to expect to like someone who wrote a book you love, but the increasing visibility of writers on social media—who are expected to be the ambassadors of their books—amps up the pressure to be well-liked,” Cheryl Strayed said.
It was the height of the feminist revolution and one man was trying, unsuccessfully, to publish a book about a man amidst a midlife crisis. 25 years later, Esquire editor Gordon Lish read sections of An Armful of Warm Girl in a literary magazine and demanded that Knopf reconsider publishing it (they did). This week over at Bloom, Nicki Leone dives into the work of W.M. Spackman, the man often referred to as “Fitzgerald‘s literary heir.”
Like writing personal essays? Want to get one published on The Hairpin? Sign up for the Skillshare class Writing Personal Essays that Get Read (taught by Friendship author and Year in Reading alum Emily Gould) and you might have your essay chosen for a feature on the site. The class is included with Skillshare membership ($10 per month). Better yet: the first 50 readers of The Millions to click here can sign up for free.