French installation artist of the forgotten, Christian Boltanski, presents a new exhibit in New York: a vast landscape of old clothes and biscuit tins entitled No Man’s Land at the Park Avenue Armory. Image gallery at The Daily Beast.
New this week: Craig Thompson's long-awated follow up to Blankets is here. Stay tuned for our review of Habibi later this week. Also new: Neal Stephenson's Reamde, Aravind Adiga's Last Man in Tower, Joe McGinniss's much leaked exposé The Rogue: Searching for the Real Sarah Palin, and a new, posthumous collection of Shel Silverstein's poetry and drawings, Every Thing On It.
J.K. Rowling is one of the most successful writers in the world, but the one person she wanted to see her success never got to — her mother. "She never knew about Harry Potter – I started writing it six months before she died, so that is painful. I wish she'd known," she said during an interview with BBC Radio 4. She discussed her mother's death, multiple sclerosis, rugby, and more when she guest edited an edition of "Woman's Hour."
Out this week: Beatlebone by Kevin Barry; Memory Theater by Simon Critchley; Bright Scythe: Selected Poems by Tomas Tranströmer; Charmed Particles by Chrissy Kolaya; and This Old Man by Roger Angell. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
In an interview about her new book, The Day I Shot Cupid: Hello, My Name Is Jennifer Love Hewitt and I'm a Love-aholic, Jennifer Love had some rather startling advice for jilted young ladies: "After a breakup, a friend of mine Swarovski-crystalled my precious lady. It shined like a disco ball so I have a whole chapter in there on how women should vagazzle their vajayjays."
Writing for Full Stop, Robert Fay asks, “If Mr. [T.S.] Eliot had to have a day job, why is it that writers and poets today are so cagey about what they do to pay the bills?” Previously, two of our staff writers have explored similar aspects of the same question. In 2009, Emily St. John Mandel wrote of the “constant struggle” that arises from “striking a balance between writing literary fiction and paying the rent.” And last year, Edan Lepucki looked at the perils of including “non-writing jobs” in one’s author bio.