Our regular contributor Sonya Chung is interviewed in the latest issue of Bookslut, discussing her new book Long for This World. “I write novels because it’s a place where I can bring all of who I am, and what I know, and what I don’t know but want to know, into a coherent, created world.”
Keeping track of the art mentioned in Donna Tartt’s The Goldfinch is almost as difficult as keeping track of Boris. Fortunately, Laura Petelle made a Pinterest board of all the art in the novel, complete with excerpts. Start reading from the bottom up, and beware of spoilers.
ICYMI, J.J. Abrams (of Lost and Star Trek fame) will release a novel -- conceived by Abrams and written by Doug Dorst -- in October with the enigmatic title of S. Last month, he released the first half of a teaser trailer; this week, he released the second half.
Blood-Drenched Beard, a new novel by Daniel Galera, is poised to spark a newfound interest in Brazilian literature abroad, argues Chris Frey. In The Globe and Mail, he writes that Galera has forged an original voice, one recalling Borges and Murakami but still distinctly his own. For more on the book, you could read our review.
Espresso Book Machines are coming to Barnes and Nobles stores in New York, New Jersey and Pennsylvania, allowing customers to "make a physical print book of a hard-to-find book, a public domain title or self publish a book." Espresso Book Machines also win our prize for "Most Misleading Machine Name."
Stephen King is working with Dennis Calero to publish a free, weekly eComic entitled "Little Green God of Agony." Readers can check it out on his website. Over at PopMatters, Dominic Umile looks closely at the comic’s emergence, as well as the author’s interest in the horror comics genre.
You may have heard that Joshua Cohen has a new book out this week. The Harper’s columnist’s fourth novel tells the story of a ghostwriter producing a tech wizard’s memoirs. In BOMB Magazine, Dan Duray sits down with Cohen, who talks about the book, the Bay Area and the cultural production of autism. Related: Johannes Lichtman on Cohen’s Four New Messages.
“Writers teach, not writing per se, but how to engage in writing as a process and a means of perception. The actual work of writing is seldom sublime. It’s a struggle that grows more difficult if we avoid it. Writing is often excruciatingly slow and repetitive. Time, in slipping and sliding, makes itself felt and immediate. Words are the way in, but nothing is guaranteed. What writers or readers can do with language, or understand inside it, depends on what they know—on refining their sensibilities, on writing, revising, waiting, reading, writing, as though living in language were life and death.” Year in Reading alumna Jayne Anne Phillips writes for the Literary Hub about the importance of writing programs. For more on the debate, check out Hannah Gersen's Millions essay.
Last week Konstantin Kakaes — whose new book The Pioneer Detectives is our latest Millions Original — led a discussion on "how scientists search for truth and how that search isn't always straight-forward." You can catch a broadcast of that discussion tonight on BookTV at 7:30 PM.