Ahead of next week’s publication of The Girl Who Kicked the Hornet’s Nest, the battle over Stieg Larsson’s lucrative literary estate. (Thanks, Craig)
A Literary Thriller
Words Grow Arid and Stiff
Tim Parks writes for the NYRB about writers living abroad. As he puts it, “But what about those writers who move to another country and do not change language, who continue to write in their mother tongue many years after it has ceased to be the language of daily conversation? Do the words they use grow arid and stiff? Or is there an advantage in being away from what is perhaps only the flavor of the day at home, the expressions invented today and gone tomorrow? Then, beyond specifically linguistic concerns, what audience do you write toward if you are no longer regularly speaking to people who use your language?” Pair with Hannah Gersen’s Millions piece on reading the English translation of Jhumpa Lahiri’s In Other Words.
AIP calls for Mortensen’s resignation
Months after 60 Minutes aired its damning profile of Central Asia Institute’s founder Greg Mortensen (Three Cups of Tea), the American Institute for Philanthropy has called for his resignation. The call comes on the heels of Jon Krakauer‘s investigation into Mortensen’s use of the CAI’s finances.
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Can You Figure Out Dutch Ovens While You’re at It?
Is Scotch tape Scottish? The Paris Review asks a question that has to be asked.
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Going Back Up There
It’s not every day that fans of a novel look forward to a Lifetime movie, but such is the case for fans of Flowers in the Attic, whose 1987 film adaptation left out many of the details that made the book a “rite of passage for teenage girls in the ‘80s.” At Slate, Tammy Oler delves into the book’s importance and its history on the screen.
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The Irish Console The Irish
Over at Vol. 1 Brooklyn, Nick Curley prescribes “five passages from great Irish writers” as a means of coping with Notre Dame’s recent loss to Alabama in the college football BCS National Championship Game.
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Erdrich’s Love Medicine
In the latest from The Atlantic’s By Heart series, ex-Granta editor John Freeman discusses Louise Erdrich’s interpretation of Faulkner in Love Medicine. Pair with an essay on the pacing of Faulkner’s prose.
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