The Decider will be offering his version of the Presidential memoir with Decision Points (sounds like a thriller, no?) due on November 9. (One week after mid-term elections)
W Memoir on the Way
Jennifer Egan and Personal Writing
Jennifer Egan recently spoke with Willing Davidson, fiction editor of The New Yorker, as part of Rewiring the Real, a yearlong series of podcasts with writers about the interplay of literature, technology and religion. Rachel Hurn, a former Millions intern, was there and noted Egan’s ambivalence towards “personal writing.” [Updated to correct the quote] “If writing necessarily meant writing about myself, then I’d rather do something else,” Egan said.
Group Activity
In the next few days, ee’ll be asking members of The Millions Facebook group to help us with an exciting project that we’ve got in the works. If you want to join in the fun, join the group.
The Objections
Jonathan Franzen’s denunciation of e-books made headlines this week even though the sentiment is fairly common in “literary” circles. He can be forgiven, is what I’m saying. You denigrate the internet, however, and we’ve got some problems.
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Russia Debriefing
Mikhail Gorbachev is calling for an annulment of the recent Moscow elections because he’s concerned about “falsifications and rigging.” For your part, you can join the Stateside movement to echo Mr. Gorbachev’s call. Elsewhere, the Russian Socialist Movement is equally outraged. n+1 editor Keith Gessen has also translated some of the local protests.
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Writing the Suburban Wild
In a longform piece for The Atlantic Diane Saverin writes about Annie Dillard‘s Pilgrim at Tinker Creek, the predominantly male tradition of wilderness-writing, and how Dillard found and wrote about the wild while living in suburbia. She also wrestles with the question: “if the author conveys a resonant truth, does it matter what experiences led to the realizations?”
A Deliberate Strategy
At The Rumpus, Catherine Brady interviews Daniel Alarcón, who recently came out with a new novel. Alarcón talks about his love of Roberto Bolaño and the paradox of writing about prison, among other things. (You could also read Jeff Peer’s review of the author’s new book.)