A good week for new releases: John McPhee’s new, more personal collection of essays, Silk Parachute, Sam Lipsyte’s The Ask, and, of course, our own Sonya Chung’s debut Long for This World. All three of these books were on our “Most Anticipated” list for 2010. New in paperback today is Colm Tóibín’s Brooklyn.
Tuesday is New Release Time
In America, the rich are hallowed.
Stephen King’s expletive laden plea to pay more taxes.
Tuesday New Release Day: Buckley; May; Vallgren; Miller
Out this week: The Relic Master by Christopher Buckley; Paradise City by Elizabeth May; The Merman by Carl-Johan Vallgren; and The Penguin Collected Plays of Arthur Miller. For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
Is Korean Literature About to Break Out?
Thanks in part to Dalkey Archive Press’s recently announced Library of Korean Literature, works from Korea are poised to reach a broad and welcoming international audience as never before. Yet the country is still “pin[ing] for its own world-famous writer,” writes Craig Fehrman. Perhaps Kim Seong-kon is just what the doctor ordered.
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Australian Literature: Starter Pack
Ever been curious about the literary scene down under? For the next week, you can grab seven Australian literary journals/collections as part of a pay-what-you-want eBook bundle courtesy of Tomely. The journals include Voiceworks, Kill Your Darlings, The Review of Australian Fiction, The Lifted Brow, Tincture, Sincere Forms of Flattery, and Willow Pattern. All of the journals will work on Kindles, iPads, Nooks, PCs, etc…
Masha Gessen Signs on to Write Tsarnaev Book
Masha Gessen will be the first writer to publish a book about the Boston Marathon bombing suspects, Tamerlan and Dzhokhar Tsarnaev. Previously the author demonstrated her knowledge of Chechnya in her 2012 book The Man Without a Face. Gessen, who is also working on a book about embattled punk group Pussy Riot, will reportedly leave her directorship at Moscow Radio Liberty in order to report on both projects full time.
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