“Being nominated for an award feels the way I imagine winning the lottery must feel: You’re deeply grateful and a little disoriented, you feel very lucky, and you know that it could just as easily have been someone else.” Our own Emily St. John Mandel writes about “the vast distance between literary prizes and literary work” and reading Norman Mailer for The Atlantic‘s By Heart series (which we’ve covered many, many times before).
David Orr investigates the day jobs of some modern poets, and notes “the university job is a relatively recent development in Anglo-American poetry.” Indeed, as this playful illustration from Incidental Comics makes clear, poets have engaged in a wide array of salaried jobs – from pediatricians to bank clerks to diplomats. Previously, we took a look at writers and their day jobs, too.
How can we not link to this? Mickey Hess creates a mock-Millions essay in refashioning Cathy Day’s essay about “the novel problem” in MFA programs as “The Light-Bulb Filament Problem: 7 Thoughts on Academia’s Sheet Metal Crisis.” Clever response to the ongoing MFA debate or just plain silly?
Read about Hitler’s vacation homes and how they shaped his image via propaganda in an excerpt from Hitler at Home by Despina Stratigakos at The New Republic. We reviewed Ben Urwand’s book The Collaboration: Hollywood’s Pact with Hitler, which discusses other propaganda surrounding the Nazi regime.
The Toast announced their first vertical this week, and even better than its name (The Butter, of course) is its editor – Roxane Gay, darling of the literary internet and author of Bad Feminist and An Untamed State. In answer to the question “What will this particular vertical be like?” Toast editor Mallory Ortberg said “WHATEVER ROXANE WANTS IT TO BE,” so we have a lot to look forward to. Pair with The Millions’s review of An Untamed State and Gay’s 2013 “A Year in Reading.”