An interesting piece on why more foreign books don’t make it to U.S. shores. The take away? U.S. publishers generally don’t speak foreign languages and can’t readily assess a book’s quality.
Over at Catapult, Lynn Steger Strong writes on writing a novel that readers will read. As she puts it, “I was trying to explore the specific experience of living in the world while also living largely, sometimes to one’s own detriment, inside of books, inside one’s head.” Also check out this Millions piece, featuring six writers looking back on their first novels.
Colson Whitehead says “Wow, Fiction Works!“The LA Times has a clip from the movie version of David Foster Wallace’s Brief Interviews With Hideous Men, directed by The Office star John Krasinski. (via)Carolyn writes about the real-life connection between Walker Percy and Bruce Springsteen.The Village Voice shows off the final results of its highly scientific system of determining New Yorker cartoonists’ batting averages.Cambridge Information Group, which owns Bowker, AquaBrowser, ProQuest, Serials Solutions and RefWorks makes an investment in LibraryThing.Vote in The 2009 Tournament of Books Zombie Poll.A book that has turned out to be so wrong it has become a collectors item (check out the prices): The Bush Boom: How a Misunderestimated President Fixed a Broken Economy
Out this week: The Early Stories of Truman Capote; Slade House by David Mitchell; After Alice by Gregory Maguire; Dark Corners by Ruth Rendell; The British Lion by Tony Schumacher; We Five by Mark Dunn; and a book of quotations by Cheryl Strayed. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
Penny Perkins interviews Sons and Daughters of Ease and Plenty author Ramona Ausubel at The Rumpus. “I realized that this book I was writing about money had to be about race and it had to be about class and it had to be about privilege, and which of those things we are able to see and which we are blind to.” Pair with Ausubel’s writing at The Millions.
“I’m writing about people. Man involved in the human dilemma, facing the problems bigger than he, whether he licks them or whether they lick him. But man as frail and fragile as he is, yet he will keep on trying to be brave and honest and compassionate, and that, to me, is very fine and very interesting — and that is the reason I think any writer writes.” William Faulkner on why writers write in a rare recording from the University of Virginia, via Brain Pickings.