To kick off 2010, we at The Millions are thrilled to announce that Emily St. John Mandel has joined us as a regular contributor. Emily lives in Brooklyn. Her first novel, Last Night In Montreal, was recently published by Unbridled Books; her second novel, The Singer’s Gun, will be published by the same press in May 2010. Her pieces for The Millions are collected here. Welcome Emily!
Welcome Emily St. John Mandel!
An Excerpt from the New Knausgaard
Here’s one for all you Knausgaard fans: Newsday has a short excerpt from My Struggle: Book Three. (Related: if you’re not yet a Knausgaard fan, allow Jonathan Callahan to extend an invitation to the club.)
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Children of the East
Following its interview with Yelena Akhtiorskaya, Bookforum published its review of the author’s debut novel, Panic in a Suitcase. As in many other books that take place in the post-Cold War age, the plot centers on a group of Ukrainian immigrants, fresh out of the former Soviet Union, who set up new lives in America. However, despite the subject matter, it’s a bit too reductive, Chloé Cooper-Jones writes, to classify the book as an immigrant novel. For more on the book, read Matthew Wolfson’s Millions review.
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The Formative Years
Over at the Literary Hub, twelve writers reflect on the high school English teachers who changed their lives. Also check out Nick Ripatrazone’s piece of advice for English teachers.
The Future Is Now
Back in 2013, Ted Gioia wrote a piece for The Millions about an old sci-fi novel that correctly predicted the future. Since then, he’s embarked on an ambitious project that expands on his interest in sci-fi, exploring how the most radical sci-fi writers of the sixties paved the way for much of modern fiction. As he puts it, “I focus on this era in the history of sci-fi because it laid the groundwork for one of the most important developments in current-day fiction.”
The Boundaries of Literature
“The label ‘Immigrant Fiction’ derives from the same problematic Pantheon in which ‘Women’s Literature,’ ‘Black Literature,’ and more, exist. Unlike the genre of, say, science fiction, which describes the content and style of the writing, categories like ‘immigrant’ or ‘Black’ fiction seem to be concerned more with the author’s identity and/or perceived audience.” On literary categories and immigrant fiction, over at Guernica.
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