Following in the footsteps of the recent Pride, Prejudice and Zombies, the Coen Brothers’ cult movie The Big Lebowski has received the Shakespeare treatment.
Two Gentlemen of Lebowski
You Call Those Facts? These Are Facts.
“Since scientific knowledge is still growing by a factor of ten every 50 years, it should not be surprising that lots of facts people learned in school and universities have been overturned and are now out of date,” writes Ronald Bailey in his review of Samuel Arbesman’s The Half-life of Facts.
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Picture Perfect
We pick photos to accompany writing all the time, but what do writers think about photography? At The New Yorker, photo editor Jessie Wender asked eight writers, from Jennifer Egan to Sasha Frere-Jones, what their favorite photographs are.
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Recycling
“You could call Zero K a grand summation of DeLillo’s career themes and prose stylings. You could also call it recycling.” Tony Tulathimutte reviews Don DeLillo’s “techno-prophetic novel,” Zero K. To revisit DeLillo’s prior work, check out David Rice’s review of The Angel Esmeralda.
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The Rise of the Insta-Poet
How do I love thee? Let me turn the contrast down and put a Valencia filter on it. Instagram poets like Lang Leav and Tyler Knott Gregson may be the future of poetry–but is their work deserving of their massive followings?
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Oscar Wilde Was a Self-Plagiarist, Too
Oscar Wilde’s first and only office job was as the editor of The Woman’s World, a British fashion magazine. Millions contributor Kaya Genç tells the tale, and even explains how Wilde self-plagiarized, too.
Guy Fawkes Night
“Remember, Remember the Fifth of November / Gunpowder, treason, and plot.” Edward Casey of Electric Literature recalls childhood memories of the strange, lawless, primal, pagan celebration of Guy Fawkes Night–and readers around the world grow jealous.
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The Downside to Living with William Carlos Williams
At McSweeney’s Internet Tendency, a disgruntled Laura Jayne Martin rants about why she is tired of sharing an apartment with poet William Carlos Williams.