Among the books hitting shelves this week are Pulitzer winner and New Yorker staffer Louis Menand’s The Marketplace of Ideas: Reform and Resistance in the American University and memoirist and poet Nick Flynn’s The Ticking is the Bomb. Also new, Melville House is putting out a novella, Union Jack, by Nobel laureate Imre Kertész, and NYRB Classics has published Fortunes of War: The Balkan Trilogy a novel by Olivia Manning based on her time in Eastern Europe during World War II. Rachel Cusk provides an introduction to the edition.
In honor of Bloomsday, some recommended reading, listening, and playing: one-day diaries of four modern Blooms in New York, Radio Bloomsday’s seven hours of readings (by Alec Baldwin, John Lithgow, Jerry Stiller, Garrison Keillor, and others), even found poetry and an iPhone game drawn from the text of Ulysses. Oh, and–of course–James Joyce’s book itself.
Those of you who stopped watching The Simpsons thirteen years ago (and heard that the voice actress who plays Edna Krabappel sadly passed away in October) should know that Ms. Krabappel is now married to Ned Flanders. In a run-down over at Splitsider, Bradford Evans catalogues weird plot developments in the last decade-plus of the series. (h/t Slate)
“Writing difference is a challenge, particularly in fiction. How do men write women and vice versa? How do writers of one race or ethnicity write about people of another race or ethnicity? More important, how do writers tackle difference without reducing their characters to caricatures or stereotypes?” Roxane Gay reviews Joyce Carol Oates‘s The Sacrifice and simultaneously explains how to write difference well. Hint: it “demands empathy, an ability to respect the humanity of those you mean to represent.”
“If you remember the sixties, then you weren’t really there.” We’ve all heard the saying, but in case you actually forgot what the sixties were like, I have good news for you. The complete archive of Oz Magazine, sometimes called the most controversial magazine of the sixties, is available for download over at Open Culture. Oz regularly featured work by such artists as R. Crumb, Germaine Greer, and many more.