The literary it-boys Katie Roiphe described last week in her provocative New York Times essay may say a polite “no, thank you” to sex, but not Legends of the Fall author Jim Harrison. No, sir. His lusty men of all shapes and sizes (octogenarians, clubfooted teens) take second helpings with gusto in his new collection The Farmer’s Daughter.
Fans of the French Oulipo movement will know about A Void, the Georges Perec novel written entirely without the use of the letter “e.” What very few readers of any kind know, however, is that in 1939, thirty years before Perec’s novel was published, Ernest Vincent Wright wrote a book in English, Gadsby, that hewed to these same constraints. At The Atlantic, Nikhil Sonnad investigates how this experiment plays out in the book.
When Maeve Binchy passed away two years ago, she left behind a novel, A Week in Winter, that appeared to cap off an accomplished 40-year career. It turns out her fans have more posthumous work to look forward to: a new 400-page story collection, Chestnut Street, that comes out on April 24th.
A few weeks back, Indiana Review editor Joe Hiland shared his list of stories he most often rejects. Now, Michael Mlekoday, the publication’s poetry editor, does likewise with his list of “Five Marks of Oft-Rejected Poems.” Meanwhile, Missouri Review editor Michael Nye has some qualms about this type of post.
John Jeremiah Sullivan is working on abandoning the “slightly exaggerated pastiche of himself as narrator” that’s driven most of his essays so far.
“If Earth overheats and crops and fuel become scarce, guess what? I know good bartering supplies include tampons, mercury fillings, eyeglasses. One particularly anxious day I read instructions on how to cook on my woodstove—so in the early days of environmental apocalypse and culture collapse, my family will enjoy bygone potatoes roasted over hot coals and underdone loaves of bread.” Year in Reading alumna Megan Mayhew Bergman prepares herself for the apocalypse.