The new book release schedule is slow in December, but the third book in Javier Marías’ acclaimed Your Face Tomorrow trilogy is now out, Poison, Shadow, and Farewell. Also, new on shelves is The True Deceiver, a 1982 novel by the Finnish writer Tove Jansson from NYRB Classics.
Zadie Smith could write herself out of a Chinese takeout box, and that’s exactly what she does in her essay on the differences between British and American takeout culture, “Take It Or Leave It,” for The New Yorker. “I don’t think any nation should elevate service to the status of culture.”
David Denby wonders: After nearly 150 years have passed since its initial publication and countless imitators have blunted its artistic radicalism does Dostoevsky’s Notes from the Underground still pack a punch? For more contemporary readings of Dostoevsky, see Rob Goodman’s recent article on forensics, The Brothers Karamazov and the death of the courtroom drama.
“If [Langston] Hughes and Cullen were competitors, of sorts, for the prize of principal African American poet of their generation, Cullen may have had an early lead, and during the later 1920s and early 1930s they were often discussed in tandem.” At The Boston Review, Major Jackson takes a look at the career and legacy of Harlem Renaissance poet Countee Cullen.