Summertime, another work of fictionalized autobiography (following Boyhood and Youth) from Nobel Laureate J.M. Coetzee arrives this week. Also, new this week is Psycho Too, an illustrated travelogue collaboration between Will Self and Ralph Steadman. Of the book, PW says “Self is far from a reliable tour guide, but his eye for seldom-trod byways and offbeat insights make him a diverting travel companion.”
Christmas Week New Releases
The Arrangements
The New York Times Book Review commissioned a work of fiction about the election from Chimamanda Ngozi Adichie. She chose to write about Melania Trump. If you can handle more Trump, check out Greg Chase’s portrait of a Trump supporter, based on Faulkner’s The Sound and The Fury.
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Thinning the Herd
Here’s a step-by-step guide for getting rid of books, also known as “the life-changing magic of thinning the herd.” Also check out this Millions piece on the weight of moving books.
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Why Criticism Matters
“We live in the age of opinion — offered instantly, effusively and in increasingly strident tones. Much of it goes by the name of criticism, and in the most superficial sense this is accurate.” The New York Times approached six accomplished critics, Stephen Burns, Katie Roiphe, Pankaj Mishra, Adam Kirsch, Sam Anderson, and Elif Batuman to explain, in the spirit of Alfred Kazin, “what it is they do, why they do it and why it matters.”
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A Radical Vision
Recommended reading: this brilliant and thorough profile of Toni Morrison from the New York Times Magazine, complete with a video of Morrison reading from her upcoming novel, God Help the Child.
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The Art of the Adaptation
For The Guardian, Adrian Horton asks: how modernized should literary adaptations be? What liberties is it okay to take?
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On Social Novels
“What if, instead of simply critiquing Go Set a Watchman’s failure, we tried to analyze it? The new, older work makes more sense if we read it as an attempt to accomplish two tasks: first, to master—unsuccessfully, it turns out—the smart-magazine style that Harper Lee developed in her student journalism; and second, to write in a genre that often relied on the ironic elisions typical of ‘smart style’: the midcentury social-problem novel.” Tom Perrin on Harper Lee and the social novel. Pair with Michael Bourne’s Millions review.
“The heat of autumn / is different from the heat of summer.”
With the help of Flora Coker, the Poetry Foundation created an animated reading of Jane Hirshfield’s “The Heat of Autumn.”
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