Sudoku getting too easy, you say? Try making (or, rather, writing) one instead, like this nine-paneled comic that works across, down, or on a diagonal.
American readers can now get their hands on the latest from Martin Amis, Lionel Asbo: State of England. Also out this week: The Devil in Silver by Victor LaValle, Paul Auster’s memoir Winter Journal, Dan Fesperman’s spy novel The Double Game, and a pair of debuts, Hanna Pylväinen’s We Sinners and Amanda Coplin’s The Orchardist.
I didn’t expect to find a Chinese poem more ornate than Su Hui’s palindromic, pre-oulipan “Xuanji Tu,” but apparently I underestimated myself. Here’s “Lion-Eating Poet in the Stone Den,” a 92-character poem by Yuen Ren Chao which relies on the tonal variations of a single sound (shi) to tell the story of a “lion addict” with a taste for big cats. For a really crazy experience, I recommend listening to the poem being read aloud.
JW McCormack has some Notes Toward [A Potential] Film Adaptation of Roberto Bolaño’s 2666 up at The American Reader. As somebody who can’t even fathom making Cormac McCarthy’s decidedly less brutal (although still unimaginably brutal in its own way) Blood Meridian into a film, let me tell you: the idea of turning 2666 into a theater-ready motion picture seems impossible. (P.S. You really should just read both of those books…)
This week, David Mitchell (author of Cloud Atlas and the forthcoming The Bone Clocks) is releasing a new short story over 280 tweets (which you can read here). Form follows content, he explains, since his narrator is a teenager high on his mother’s Valium. Mitchell joins good company: Teju Cole, Junot Diaz, and other notables have tried their hand with this strange new form. Pair with: a stroll down memory lane with some beloved authors’ very first tweets and their best.
George Saunders stopped by the Dinner Party podcast to dole out advice on topics ranging from constructing poems about wolves “making love,” dealing with a friend who’s been fired, sober-drunk relations, and “man purses.”