Today sees the arrival of a unique title from the Center for the Art of Translation. Wherever I Lie Is Your Bed provides translated poetry and fiction from 30 writers and is meant to introduce English-speaking readers to writers whose work would otherwise be difficult or impossible to find in English. Elsewhere, the biggest literary release of the week is Vladimir Nabokov’s The Original of Laura, which has caused no small amount of consternation among critics, and Alice Munro’s latest collection, Too Much Happiness, which can be expected to be more warmly received. On the non-fiction side, a new collection of Zadie Smith essays came out last week.
New Releases Tuesday
Your a Real Jerk
“It’s somewhat surprising that typos and grammatical errors hold this much power given the speed and frequency of written communication that characterizes the digital age. Despite our ‘sent from my iPhone’ disclaimers, it appears we should still be diligent about avoiding written mistakes. Especially if were writing to a conscientious introvert whose not very agreeable. Their the wrst.” On proving something that we all suspected to be true: less agreeable people care the most about grammar.
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Only Connect
Recommended Reading: Anything that Vivian Gornick writes. Here’s an essay from The New York Times on how literature ages and rereading E.M. Forster’s Howard’s End. Our own Lydia Keisling also wrote a fantastic piece on the Forster classic.
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A Peek Behind the Curtain
Want to learn more about our acclaimed, annual Year in Reading series? At Electric Literature, I talk about how it started, how we put it together, and some of my favorite entries from years past.
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A6: Edith Wharton
At some point, you’ve probably had a daydream about a vending machine that sells books. Well, guess what. (There’s also a video guide.) (Thanks, Andrew)
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