Today sees the arrival of a unique title from the Center for the Art of Translation. Wherever I Lie Is Your Bed provides translated poetry and fiction from 30 writers and is meant to introduce English-speaking readers to writers whose work would otherwise be difficult or impossible to find in English. Elsewhere, the biggest literary release of the week is Vladimir Nabokov’s The Original of Laura, which has caused no small amount of consternation among critics, and Alice Munro’s latest collection, Too Much Happiness, which can be expected to be more warmly received. On the non-fiction side, a new collection of Zadie Smith essays came out last week.
How do you write an accurate memoir without perpetuating stereotypes? Jesmyn Ward struggled with this when writing about absent black fathers and husbands in her book Men We Reaped. “I also had to figure out how much of the truth do I tell, how do I make the truth as balanced as I possibly can? How do I make these people as complicated and as human and as unique and as multifaceted as I possibly can? For me, that was the way I attempted to counteract some of that criticism,” she told The Rumpus.
“The entire manuscript was written with the E-type bar of the typewriter tied down; thus making it impossible for that letter to be printed. This was done so that none of that vowel might slip in, accidentally; and many did try to do so!” Abe Books tells the tale of Gadsby, a self-published 50,000-word novel written without using the letter “e.” Its author, Ernest Vincent Wright, won some notoriety when he accomplished the feat – called a lipogram – in 1939, although it’s unlikely Wright could have foreseen that individual copies of his book would eventually fetch prices upward of $1,200. And if it’s literary hijinks you’re after, definitely read our own Anne Yoder on the work of Georges Perec, who wrote a lipogram of his own in 1969.
“Exorbitant cost aside, if I can have the complete works of Shakespeare electronically beamed into my brain in under ten minutes, can I really say I’ve experienced Shakespeare? There is something organic about the experience of moving your eyeballs from left to right over an LCD screen in order to take in a sequence of marks the brain then must interpret as words, all the while using your hands to grip a lightweight, durable device.” Arguing for e-books over beaming text into your brain.
“I gave up on making a happy ending in the true sense a long time ago.” Japanese animator and film director Hayao Miyazaki is something of a legend. Over at The Literary Hub, Gabrielle Bellot takes a look at the expansive literary history of Miyazaki’s Studio Ghibli.
The Silent History is being billed as a “new kind of novel.” Readers download a free app for their iOS devices and, over a period of six months, the app will deliver brief, serialized installments of an “exploratory novel.” Certain features of the story depend on your geographic location, and readers also have the opportunity to contribute their own features. For a full primer, as well as interview with Eli Horowitz, one of the “key figures” behind the idea, head over to VQR’s website.