Stephen King’s latest, Under the Dome, is out today. It’s 1,100 pages and is being compared to The Stand. Meanwhile, Generation A by Douglas Coupland is also hitting shelves. It’s a sequel to Coupland’s famous, influential debut, Generation X. Also out last week was Jonathan Safran Foer’s treatise on vegetarianism, Eating Animals, which picked up a mixed review in the New Yorker.
New Releases: Foer, Coupland, King
Print Magazine Goes Digital
The fall issue of Washington Square Review is now available online, featuring new work by Morgan Parker, Ron Padgett, Mariama Lockington, and interviews with Year in Reading alumnus Nick Flynn, Jenny Offill, Jericho Brown, and Henri Cole. Pair with this Millions profile of Flynn.
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Eerie Melodies
Attention Microphones fans! The Rumpus published an interview with a one Phil Elverum on Thursday.
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Tuesday New Release Day
This Tuesday’s notable new releases include Ayelet Waldeman’s Red Hook Road, Laurence Gonzales’ Lucy and Tana French’s Faithful Place.
Hard Mode
Serious reading is harder than ever. With so many distractions around, it’s incredibly difficult for a novel to keep our attention. In The Nation, Joanna Scott makes a case that careful reading is in danger, and builds a case for preserving difficult fiction. You could also read our own Nick Ripatrazone on trying to teach Thomas Pynchon.
“New” Zora Neale Hurston
The Chronicle of Higher Education analyzes three short stories by Zora Neale Hurston never before reprinted.
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Tuesday New Release Day: Rachman; Card; Winton; Conn; Dugan; Pritchett; Flynn; Yejide
The Imperfectionists author and Year in Reading alum Tom Rachman has a new novel on shelves this week, as does Orson Scott Card. Also out: Eyrie by Tim Winton; O, Africa! by Andrew Lewis Conn; So Much a Part of You by Polly Dugan; Stars Go Blue by Laura Pritchett; Third Rail by Rory Flynn; and Time of the Locust by Morowa Yejide.
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The Bolaño Myth: Wiggity Wiggity Wack?
Over at Conversational Reading, Scott covers Horaçio Castellanos Moya‘s dis of imperialist publishing suckas who be pimpin’ “The Bolaño myth.”
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