Stephen King’s latest, Under the Dome, is out today. It’s 1,100 pages and is being compared to The Stand. Meanwhile, Generation A by Douglas Coupland is also hitting shelves. It’s a sequel to Coupland’s famous, influential debut, Generation X. Also out last week was Jonathan Safran Foer’s treatise on vegetarianism, Eating Animals, which picked up a mixed review in the New Yorker.
Legendary jazz musician and composer Cal Massey receded from active performance in the 1950s in order to concentrate on composition. His works went on to be recorded by John Coltrane, Lee Morgan, Freddie Hubbard and many other greats. To honor his indelible mark on jazz music and African-American culture, Fred Ho and Ben Barson will present a series of concerts in Harlem’s Red Rooster restaurant. Barson also wrote a lengthy introduction to Massey’s life and legacy.
“Publishers, writers, and readers alike really need to sit down and take this trend [the rise of self-publishing] seriously, rather than using the poetry.coms and AuthorHouses of the world as straw-men, scapegoats, piñatas, or other bludgeonable what-have-yous in the same tired and ineffectual arguments about how the Internet is ruining the publishing industry.”
Two hotly anticipated collections of stories are out this week: Nathan Englander’s What We Talk About When We Talk About Anne Frank and Dan Chaon’s Stay Awake. Also new this week are Katherine Boo’s Behind the Beautiful Forevers, Ramona Ausubel’s No One is Here Except All of Us, which she wrote about here recently, Dalkey’s new edition of The Recognitions by William Gaddis, and a new volume of William S. Burroughs’ letters.