As predicted, Haruki Murakami is hard at work on volume three of 1Q84. The Japan Times reports that the finale (?) of Murakami’s latest novel is slated to come out in Japanese next summer. Still no word on when we’ll see it in English.
Geoff Dyer, lately everybody’s favorite literary critic, reviews The Stranger’s Child, and tells us why Alan Hollinghurst, “the gay novelist, might also be the best straight novelist that Britain has to offer.” Hear, hear!
David Foster Wallace’s former student, Adam Plunkett, recounts studying with the polite, Midwestern, sometimes embarrassing professor whom he knew as Dave during the spring of his junior year at Pomona College, where Wallace worked until his death that September.
“What women do in the books mentioned here doesn’t consist of survival so much as sabotage. They throw bricks and rocks and flaming bottles into the chinks of the masculine world machine, then pick up a gun and fire into the turning gears. If rape and other sexual violence, religious servitude, and the politically determined inaccessibility of contraception can be seen as acts of war, stories like these may not just be a means of escapism. In the mind’s eye, they might be weapons, to be picked up, opened, and deployed.” At the Boston Review, Elizabeth Hand looks at women who fight back in fiction, from Gone Girl to Medea.
Whatever your thoughts on Will Self’s claim that the novel as we know it is dead, it’s important to keep in mind, as Daniel D’Addario helpfully illustrates, that we’ve heard this claim before. At Salon, he goes all the way back to 1902 to trace the legacy of a long-held fear.