At Jacket Copy, Carolyn Kellogg talks with Jonathan Lethem about his new novel Chronic City “I love to dwell in the space of a novel — I don’t find writing uncomfortable, it’s something I really love doing. Writing a long novel, especially, it means that I’m creating this whole other set of people that I’m interested in, and this whole other world I get to go into, and I try to stay there. I try to go every day, not just to see the word count amass, which is helpful, but because then my subconscious is kind of living there.”
LA Times interviews Jonathan Lethem
The Latest from Lemony Snicket
Daniel Handler, better known as Lemony Snicket, released his latest YA novel in October. Who Could That Be at This Hour? is a prequel to A Series of Unfortunate Events. Handler was recently interviewed for the New York Times Magazine.
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On the 33
Recommended reading: "One of the drillers fell to his knees. Some sobbed, in the way men do when their mothers die, or when their sons are born." An exceptional and deeply moving long-form essay in the New Yorker recounting the 69 days spent underground by the famed '33' Chilean miners buried in the 2010 accident at Copiapó.
Rape-Rape
Jenny Diski's personal take on Roman Polanski and rape, at the London Review of Books.
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E-reading with Jonathan Franzen
It was with "a sort of resigned sigh" that Jonathan Franzen signed some reddit user's kindle.
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New Old Advice for Writers
"The internet teems with writerly advice, almost all of which suggests that creativity is served best by monasticism, a quiet life filled with pencils—but that kind of advice seems to take a very short view of history, overlooking the one classic way to rouse the capricious Muses: sexually transmitted disease." According to The Hairpin, maybe it's not an MFA you need, just syphilis. After all, it seems to have worked for James Joyce, Baudelaire, Flaubert, Oscar Wilde and many, many others.
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Not Quite a Review
“This is a tricky novel to review. I'm not even sure it is a novel. And I'm not certain as to whether its fragmentary nature belies an organic structure of astutely sewn intention or is merely a disingenuous device to conceal a let's-get-something-out cobbling together of unpublished material lying around the writer's desk. What I can tell you is this: I was powerfully engaged and richly entertained by Sergio De La Pava’s Personae.” (Related: our own Garth Risk Hallberg wrote a profile of De La Pava.)
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