Variety reports that Universal Pictures has purchased the film rights to Melissa Marr‘s YA fantasy novel Wicked Lovely. Edward Scissorhands screenwriter Caroline Thompson is to adapt the book about a young girl pursued by the king of the fairies. As far as king-of-the-fairies movies go, I’m more interested in what’s happened to the film adaption of Susanna Clarke‘s Jonathan Strange and Mr. Norrell, whose film rights were purchased in 2004.
Wicked Lovely
Authentic Explanations
For Public Books, Matthew Clair considers authoritative black knowledge in intellectual practices and “the logic of racial authenticity,” which “stipulates both that black intellectuals have a particular responsibility to represent, in both senses of that word, ‘their’ people, and that, as racial insiders, they are uniquely capable of doing so.”
George Eliot & Siblings
Recommended reading: Sara Paretsky writes for The Independent on George Eliot's The Mill on the Floss and the sibling bond so seldom portrayed in English fiction.
Moving in for the Kill
Killing off your characters is never an easy feat. At The New York Times, thriller writer Alex Berenson discusses his reservations on killing the hero of his spy series. "John Wells has markedly enriched my life — an impressive feat for a man who doesn’t exist." The eighth installment, The Counterfeit Agent, just came out.
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Ice Ice Baby
"When they’re not at their day jobs, a great many of the island’s 330,000 inhabitants dabble in verse." The New York Times attempts to understand why Iceland is chock-a-block with poets. A few years back we reviewed one of its better known practitioners (and Björk lyricist) Sjón.
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“Art of Agenting”
In an interview for Guernica Jonathan Lee talks to Chris Parris-Lamb, the literary agent who represented Chad Harbach's The Art of Fielding, John Darnielle's National Book Award-nominated Wolf in White Van, and now our very own Garth Risk Hallberg's upcoming City on Fire, about "The Art of Agenting." Pair with our own Edan Lepucki's conversation with her agent, "Don't Ever Do It for the Money," and with the opening lines of City on Fire, a Millions exclusive.
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The New Genre
Is Twitter an official literary genre? David Mitchell, Philip Pullman, Margaret Atwood, and others take on the 140-character interface as a storytelling platform. Pair with our piece on the best of literary Twitter.
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What’s Wrong with Books?
Jenny Slate and Gabe Liedman explain what's wrong with books: "They're heavy...the shit in them is dumb..."
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