It’s a big week for fans of literary fiction, with new books by a pair of heavyweights: Generosity by Richard Powers and Her Fearful Symmetry by Audrey Niffenegger. There’s also a new (and massive) collection of stories from Lydia Davis. Nick Horby’s newest, Juliet, Naked is out. Finally, Bukowski fans may be pleased to find a new book of never-before-collected poems, and R. Crumb fans have no doubt been waiting for his Book of Genesis to hit shelves.
Last week, I followed up the news that “because” may now be used as a preposition by noting that the American Dialect Society had named it their Word of the Year. Now, in The New Republic, John McWhorter argues that the new preposition is used to signal empathy and warmth. (Related: Fiona Maazel on the dangers of bad grammar.)
Have you ever wondered what a music note might look like? Now you have, so go and check out Resonantia by artists Jeff Louviere and Vanessa Brown, a work which tests the limits of “cymatics—the patterns that sound waves induce in physical objects.” One of Louviere’s projects involved photographing the “shapes” of each of the 12 notes. Spoiler alert: G looks like a devil.
This week, Football Book Club is taking it to the next level: They’re reading Maggie Nelson’s The Argonauts and posting about Allie Brosh’s Hyperbole and a Half. If you’re keeping score at home, that means this week is All Brosh, All the Time. Also, as per usual, they will not be watching the NFL and not liking it one bit.