Two hotly anticipate works by literary masters hit shelves this week. Both were “most anticipated books.” We have The Year of the Flood by Margaret Atwood and Nocturnes by Kazuo Ishiguro. The latter was written about persuasively by Lydia in recent weeks.
If you’re struggling to find a book deal, you might want to skip this story because it’ll be so demoralizing: a group of women are making a ton of money by publishing “dinosaur erotica” with titles such as Taken by the T-Rex, Ravished by the Triceratops, and Taken by the Pterodactyl. (Pretty lame, if you ask me, that that last title isn’t spelled “Ptaken…”)
Watchmen and V for Vendetta author Alan Moore was interviewed recently, and among the topics discussed was Moore’s forthcoming twelve-part series Providence – which he describes as “my attempt to write what I would consider to be a piece of ultimate [H.P.] Lovecraft fiction.”
Last week, I followed up the news that “because” may now be used as a preposition by noting that the American Dialect Society had named it their Word of the Year. Now, in The New Republic, John McWhorter argues that the new preposition is used to signal empathy and warmth. (Related: Fiona Maazel on the dangers of bad grammar.)
Following a recent essay on the value of ambivalence, our own Mark O’Connell explores the nature of confidence in this week’s New York Times Magazine. Perhaps not surprisingly, he writes that this year’s Web Summit convinced him that tech moguls are congenitally more confident than writers.