New York magazine’s Vulture Reading Room series, featuring Sam Anderson and others, dares to take on Dan Brown’s The Lost Symbol. The verdict? Brown’s stylistic overreach is still good comic fodder for discerning readers.
NPR offers a nifty gallery that accompanies the publication of this quirky collection: Not Quite What I Was Planning: Six-Word Memoirs by Writers Famous and Obscure.The Coen Brothers have signed on to helm the film version of Michael Chabon's The Yiddish Policemen's Union. The big-screen version of The Amazing Adventures of Kavalier and Clay, meanwhile, is nowhere to be found (though it's reportedly been in the works for years).Elsewhere in book-to-movie news, Ian McEwen is pleased with the film version of his novel Atonement.Poet and critic Reginald Shepherd reflects on becoming a blogger. "Until a couple of years ago, I barely knew what a blog was, and certainly had never seen one," he writes. But it proved quite fruitful: "it sometimes seems that my blog has done more to raise my profile than all my more-than-fifteen years of copious publishing put together."Five reasons not to give up books (the paper ones, as opposed the digital counterparts.)I think it's an ad for a video game, but this video contains some masterful soccer kung fu.None of us at The Millions is affiliated with Princeton, but this list of the school's most influential alums is interesting in a random sort of way.The new half-hour HBO show In Treatment is a free podcast at the iTunes store. The show stars Gabriel Byrne as a psychotherapist and each episode represents a single session with one of five patients.The writers' strike is over. The resulting carnage on the schedules for all your favorite shows is laid out here.
In a New York Times op-ed piece on violence in children's literature, Maria Tatar claims that "the savagery we offer children today is more unforgiving than it once was." Is that really the case? Adam Gidwitz's A Tale Dark And Grimm (reviewed by the Times last November), which underscores the violence inherent in Grimm's tales, can be read as a counterpoint.