Peter Jackson, beloved director of The Lord of the Rings movies, has turned his talents to an adaption of a very different book. He has directed a film version of Alice Sebold‘s The Lovely Bones (see the trailer here), the story of a young girl who is murdered and looks down on her family and killer from heaven. Saoirse Ronan will play Susie Salmon, the novel’s heroine. Ronan is perhaps making a career of cinematic adaptions of novels–she was nominated for an Oscar for her performance as Briony Tallis in last year’s film version of Ian McEwan‘s Atonement. Susan Sarandon, Rachel Weisz, and Stanley Tucci also star.
We submit that beginning a love story with the lede “I never intended to get a tortoise” pretty much guarantees that the reader will read to the end. In Sunday’s New York Times Style section, Caroline Leavitt puts our theory to the test. (If you like her essay, you might want to pre-order her new novel.)
“’When I finish reading one of her stories, I always feel understood and somehow forgiven for being human,’ Mr. George said. ‘It may simply come down to wisdom. Like the greats, Edith has it.'” Steve Almond gives an overview of Edith Pearlman‘s writing and publication history for The New York Times Book Review in the wake of the release of her latest collection, Honeydew, which Josh Cook recently reviewed for The Millions.
To encourage first edition sales of Haruki Murakami’s latest novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage, his publishers are going to include “a special sheet of stickers designed by five Japanese illustrators.” If that sounds as corny to you as it does to me, then consider the fact that the book likely does not need any real marketing strategy whatsoever: when it came out in Japan, it sold over a million copies per week.
Stephen King is working with Dennis Calero to publish a free, weekly eComic entitled “Little Green God of Agony.” Readers can check it out on his website. Over at PopMatters, Dominic Umile looks closely at the comic’s emergence, as well as the author’s interest in the horror comics genre.